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ALPHABETICAL LIST OF AUTHORS
1929
ALBERTI Stefanle F. — The first English motion picture alphabet.
BARALT Luis A. — The value of the educational film, its dangers and how they may be obviated.
Belgian Ministry of National Defence. — Military Instruction by means of the film.
BENOIT-LEVY Jean — Recreational films.
BERNARD Leon — The cinema as an instrument of education.
CANTY George R. — International film censorship.
CARTON de W I ART Henry — Childhoodand the film.
CHNEIDEROFF V. — The documentary film : In the unexplored regions of Pamir.
COISSAC G. Michel — The educational film in France. (The cinema and teaching in France).
CURLIS Hans — The child and the film.
DE CASTRO Aloysio — The use of the film in the study of nervous diseases.
de MAD AY Andre — An enquiry respecting the cinematograph, made in the schools of Geneva, Lausanne and Neuchatel.
de VINCENTE Aloysio — Good and evil effect of the cinematograph.
DESTREE Jules — Concerning the cinema.
DOP Louis — The role and the purpose of the International Educational Cinematographic Institute.
FEDOROFF A. — The artistic activity of the Soviet cinematograph during the past ten years.
FINEGAN Thos E. — The results of experiment with Eastman classroom films.
JACQUES Norbert — Poet and stage-manager.
JEROFEJEW Wladimir — The documentary film: Afghanistan.
LAMPADARIOS N. E. — The evolution of the educational film in Greece.
LAMPE Felix — The activities of the Central German Institute for Education and teaching in the field of the cinema.
Institute " L. U. C. E. „ — The Franchetti Expedition in Ehtiopian Dankalia.
LUTRARIO Alberto — Some biological aspects of educational cinematography.
MAURETTE Fernand — The cinematograph and the workers.
MISTRAL Gabriela — The documentary film in Spanish America.
N AMI AS Rodolfo — Colour cinematography : The present and the future of the various processes with special reference to those in which chemical principles are applied.
OTTOLENGHI D. — The cinema in higher public health education.
PLUGGE Walter — Copyright in cinematographic productions.
REYMOND Joseph — Catholics and the cinema.
ROEBER A. — Conditions and labour contracts in the German Cinematograph Industry.
ROSENTHAL Alfred — Cultural film policy.
ROUX-PARASSAC Emile — The marvellous story of imagery and the educative role of the cinema.
ROUVROY Maurice — For childhood and adolescence.
ROVIRA Enrique Jose — Agricultural training and the education of the rural population by means of the film in Uruguay.
ROYON F. — The Red Cross and the cinema..
SANGRO Y ROS DE OLANO P. — The cinematograph and State control.
SANTINI Giulio — The film and education.
SARTORIO Giulio Aristide — Art in the Cinema.
SCHWEISHEIMER W. — The film as a teacher.
SEEGER Ernest — State control of films in Germany.
SEYEWETZ A. — The present position of colour cinematography.
STROUKOV N. A. — The documentary film : In search of the meteorite in the Taiga.
THOMALLA Curt — The development of the medical film and of those dealing with hygiene and general culture in Germany.
TIAGAY Alexander — Cultural propaganda films in Soviet Russia.
TIETZE P. — An apparatus for coloured cinematography for the purposes of medical instruction.
VAN der MOESEN Maurice — The cinematograph and copyright.
1930
ALESSANDRI Roberto —Surgery and the cinema.
ANGEL UCCI Arnaldo — The cinema and eyesight : Effect on children's sight.
BADUEL Cesare — Consensus of expert opinion.