International Review of Educational Cinematography (Jan-Dec 1932)

Record Details:

Title:
International Review of Educational Cinematography
Date:
Jan-Dec 1932
Publisher:
International Educational Cinematographic Institute
Volume:
International Review of Educational Cinematography (Jan-Dec 1932)
Leaf #:
000534
Language:
English
Collection:
Non-Theatrical Film
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Date Added:
September 21, 2023
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

-516 ture, but, on the contrary, as an exponent of animated pictures, it should simply transport the spectator into a fantastic world of fables. Such a statement from one of the most theoretical of stage managers would perhaps have been accepted if the close-up had not opened a new path for the film that, namely, of the interior dramas reflected in psychological details rendered visible. Once a film was made in which nothing but hands was shown. Imagine a stage play where such a thing happened! Why should we not have in a near future the possibility of seeing films showing us only the tragedy of a pair of eyes, or the ironic play of the mouth ? Films which would be all close-ups and advertised as such. With the possibilities given by the slow motion projector and the speeded-up film, the close-up is so far the biggest artistic advance made in the film world. (Translated from the German).