Journal of the Society of Motion Picture Engineers (1930-1949)

Record Details:

Title:
Journal of the Society of Motion Picture Engineers
Date:
1930-1949
Publisher:
New York, N.Y. : The Society
Volume:
Journal of the Society of Motion Picture Engineers
Leaf #:
00081
Language:
English
Collection:
Technical Journals
Format:
Periodicals
Contributor:
Prelinger Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
The Journal of the Society of Motion Picture Engineers (SMPE)Êdocuments the technological progress of the film industry, highlighting technical developments in production and exhibition. Of special interest are articles about special effects, theater practices, lighting, and the introduction of the 16mm format. Initially titled "Transactions of the Journal of the Society of Motion Picture Engineers."Digitized by the Prelinger Library and the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.
Date Added:
July 19, 2022
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80 CLASSIFIED INDEX Magazine Cine-Kodak, O. Wittel, v. 27, no. 5 (Nov. 1936), p. 595. Pull-Down Movement, A. S. Newman, v. 27, no. 5 (Nov. 1936), p. 553. CARTOONS (See Animation) CATHODE-RAY TUBES (See Electron Tubes; and Television) CINEMATOGRAPHY (See also Microcinematography) General Positive Vari-Focal View-Finder for Motion Picture Cameras, F. G. Back, v. 45, no. 6 (Dec. 1945), p. 466. Practical Utilization of Monopack Film, C. G. Clarke, v. 45, no. 5 (Nov. 1945), p. 327. Development of Two Automatic Follow-Focus Devices for Use in Cinema- tography, J. T. Strohm and W. G. Heckler, v. 45, no. 4 (Oct. 1945), p. 302. Technical News, v. 43, no. 4 (Oct. 1944), p. 303. Cinematography Goes to War, W. R. McGee, v. 42, no. 2 (Feb. 1944), p. 102. Operations of Army Air Force Combat Camera Units in the Theaters of War, R. Jester, v. 41, no. 2 (Aug. 1943), p. 136. Photographing of 16-Mm Kodachrome Short Subjects for Major Studio Re- lease, L. W. O'Connell, v. 39, no. 5 (Nov. 1942), p. 314. Technology in the Art of Producing Motion Pictures, L. S. Becker, v. 39, no. 2 • (Aug. 1942), p. 109. Cinematography in the Hollywood Studios (1942) : Technicolor Cinema- tography, v. 39, no. 2 (Aug. 1942), p. 96. Cinematography in the Hollywood Studios (1942) : Putting Clouds into Exte- rior Scenes, C. G. Clarke, v. 39, no. 2 (Aug. 1942), p. 92. Cinematography in the Hollywood Studios (1942) : Black and White Cinema- tography, J. W. Boyle, v. 39, no. 2 (Aug. 1942), p. 83. Motion Picture Camera in the Army Air Forces, G. J. Newhard, v. 38, no. 6 (June 1942), p. 510. IR Systems—An Optical Method for Increasing Depth of Field, A. N. Gold- smith, v. 38, no. 1 (Jan. 1942), p. 3. Pioneering in Talking Pictures, L. de Forest, v. 36, no. 1 (Jan. 1941), p. 41. Speed up Your Lens Systems, W. C. Miller, v. 35, no. 1 (July 1940), p. 3. Importance of Cooperation between Story Construction and Sound to Achieve a New Personality in Pictures, L. L. Ryder, v. 34, no. 1 (Jan. 1940), p. 98. Methods of Using and Coordinating Photoelectric Exposure-Meters at the 20th Century-Fox Studio, D. B. Clark, v. 33, no. 2 (Aug. 1939), p. 185. Motion Picture Industry in Japan—1938, W. H. Bahler, v. 33, no. 2 (Aug. 1939), p. 152. Metro-Goldwyn-Mayer Semi-Automatic Follow-Focus Device, J. Arnold, v. 32, no. 4 (Apr. 1939), p. 419. Centenary of Photography and the Motion Picture, E. Epstein, v. 32, no. 3 (Mar. 1939), p. 253. Some Television Problems from the Motion Picture Standpoint, G. L. Beers, E. W. Engstrom, and I. G. Maloff, v. 32, no. 2 (Feb. 1939), p. 121. Undersea Cinematography, E. R. F. Johnson, v. 32, no. 1 (Jan. 1939), p. 3. Use of Photoelectric Exposure-Meters in the Hollywood Studios, W. Stull. v. 31, no. 6 (Dec. 1938), p. 604.