Journal of the Society of Motion Picture Engineers (1930-1949)

Record Details:

Title:
Journal of the Society of Motion Picture Engineers
Date:
1930-1949
Publisher:
New York, N.Y. : The Society
Volume:
Journal of the Society of Motion Picture Engineers
Leaf #:
00083
Language:
English
Collection:
Technical Journals
Format:
Periodicals
Contributor:
Prelinger Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
The Journal of the Society of Motion Picture Engineers (SMPE)Êdocuments the technological progress of the film industry, highlighting technical developments in production and exhibition. Of special interest are articles about special effects, theater practices, lighting, and the introduction of the 16mm format. Initially titled "Transactions of the Journal of the Society of Motion Picture Engineers."Digitized by the Prelinger Library and the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.
Date Added:
July 19, 2022
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82 CLASSIFIED INDEX COLOR Practical Utilization of Monopack Film, C. G. Clarke, v. 45, no. 5 (Nov. 1945), p. 327. Machine Processing of 16-Mm Ansco Color Film, J. L. Forrest, v. 45, no. 5 (Nov. 1945), p. 313. Some Notes on the Duplication of 16-Mm Integral Tripack Color Films, W. H. Offenhauser, Jr, v. 45, no. 2 (Aug. 1945), p. 113. Densitometry of Modern Reversible Color Film, M. H. Sweet, v. 44, no. 6 (June 1945), p. 419. Technical News, v. 44, no. 3 (Mar. 1945), p. 220. Technical News, v. 43, no. 4 (Oct. 1944), p. 303. Reproduction of Color Film Sound Records, R. Gorisch and P. Gorlich, v. 43, no. 3 (Sept. 1944), p. 206. Sixteen-Mm Color to 35-Mm Black-and-White, C. H. Dunning, v. 43, no. 3 (Sept. 1944), p. 174. High-Efficiency Stereopticon Projector for Color Background Shots, A. F. Edouart, v. 43, no. 2 (Aug. 1944), p. 97. Kodachrome Transfer, B. H. Thompson, v. 43, no. 2 (Aug. 1944), p. 95. Duplication of Kodachrome Transparencies for Background Projection, E. K. Morgan, v. 43, no. 2 (Aug. 1944), p. 93. Technical News, v. 43, no. 1 (July 1944), p. 57. Monopack Processes, J. S. Friedman, v. 42, no. 5 (May 1944), p. 271. Direct Processes for Making Photographic Prints in Color, C. E. K. Mees, v. 42, no. 4 (Apr. 1944), p. 230. Paramount Transparency Process Projection Equipment, A. F. Edouart, v. 40, no. 6 (June 1943), p. 368. Illumination in Motion Picture Production, R. G. Linderman, C. W. Handley, and A. Rodgers, v. 40, no. 6 (June 1943), p. 333. Specification and Description of Color, American War Standard, v. 40, no. 5 (May 1943), p. 277. Photographing of 16-Mm Kodachrome Short Subjects for Major Studio Re- lease, L. W. O'Connell, v. 39, no. 5 (Nov. 1942), p. 314. Cinematography in the Hollywood Studios (1942) : Technicolor Cinematogra- phy, W. Hoch, v. 39, no. 2 (Aug. 1942), p. 96. Color Television, P. C. Goldmark, J. N. Dyer, E. R. Piore, and J. M. Holly- wood, v. 38, no. 4 (Apr. 1942), p. 311. Color of Light on the Projection Screen, M. R. Null, W. W. Lozier, and D. B. Joy, v. 38, no. 3 (Mar. 1942), p. 219. Inter-Society Color Council Report, v. 37, no. 3 (Sept. 1941), p. 292. Some Laboratory Problems in Processing 16-Mm Black-and-White and Color- Films, W. H. Offenhauser, Jr., v. 36, no. 2 (Feb. 1941), p. 172. Color Theories and the Inter-Society Color Council, H. P. Gage/v. 35 no. 4 (Oct. 1940), p. 361. Automatic Slide Projectors for the New York World's Fair, F. Tuttle. v. 34. no. 3 (Mar. 1940), p. 265. Screen Color, W. C. Harcus, v. 33, no. 4 (Oct. 1939), p.,444.