Journal of the Society of Motion Picture Engineers (1930-1949)

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132 CLASSIFIED INDEX Fifty-Fourth Semi-Annual Meeting of the Society, H. Griffin, v. 42, no. 4 (Apr. 1944), p. 199. Another Milestone, E. Huse, v. 37, no. 1 (July 1941), p. 7. Twenty-Four Years of Service in the Cause of Better Projection, E. A. Willi- ford, v. 36, no. 3 (Mar. 1941), p. 294. Presidential Address, Convention, Hollywood, October 21, 1940, E. A. Willi- ford, v. 35, no. 6 (Dec. 1940), p. 529. Presidential Address, Convention, Atlantic City, April 22, 1940, E. A. Willi- ford, v. 34, no. 6 (June 1940), p. 637. Presidential Address, Convention, New York, October 16, 1939, E. A. Willi- ford, v. 33, no. 6 (Dec. 1939), p. 603. Presidential Address, Convention, Hollywood, April 16, 1939, E. A. Williford, v. 33, no. 3 (Sept. 1939), p. 336. SCENARIO WRITING Importance of Cooperation between Story Construction and Sound to Achieve a New Personality in Pictures, L. L. Ryder, v. 34, no. 1 (Jan. 1940), p. 98. Preparing a Story for Production, R. P. Presnell, v. 29, no. 5 (Oct. 1937), p. 350. Production Problems of the Writer as Related to the Technician, C. Wilson, v. 26, no. 6 (June 1936), p. 672. SCORING (See also Music; and Sound Recording) New Scoring Stage Shell and Vocal Studio Design, L. L. Ryder, v. 42, no. 6 (June 1944), p. 379. Vocal Room and Pre-Scoring Operations at RKO Radio Pictures, E. B. Mounce, C. Portman, and M. Rettinger, v. 42, no. 6 (June 1944), p. 375. Acoustic Considerations in the Construction of Vocal Studios, E. B. Mounce, C. Portman, and M. Rettinger, v. 42, no. 6 (June 1944), p. 372. Improvements in Disney Scoring Stage, C. O. Slyfield, v. 42, no. 6 (June 1944), p. 367. Evolution of Scoring Facilities at Columbia Pictures, J. P. Livadary and M. Rettinger, v. 42, no. 6 (June 1944), p. 361. Prescoring and Scoring, B. B. Brown, v. 39, no. 4 (Oct. 1942), p. 228. Modern Music Recording Studio, M. Rettinger, v. 39, no. 3 (Sept. 1942), p. 186 Scoring-Stage Design, M. Rettinger, v. 30, no. 5 (May 1938), p. 519. Motion Picture Dubbing and Scoring Stage, C. L. Lootens, D. J. Bloomberg, and M. Rettinger, v. 32, no. 4 (Apr. 1939), p. 357. Setting Music to Pictures, C. Previn, v. 29, no. 4 (Oct. 1937), p. 372. Prescoring for Song Sequences, B. Brown, v. 29, no. 4 (Oct. 1937), p. 356. Acoustic Considerations in the Construction and Use of Sound Stages, D. P. Loye, v. 27, no. 3 (Sept. 1936), p. 267. SCREEN BRIGHTNESS (See also Illumination, Projection; SMPE Activities; and Vision} Efficiency of Picture Projection Systems, E. W. Kellogg, v. 45, no. 3 (Sept. 1945), p. 191. Study of Radiant Energy at Motion Picture Film Aperture, R. J. Zavesky, M. R. Null, and W. W. Lozier, v. 45, no. 2 (Aug. 1945), p. 102.