We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
140 CLASSIFIED INDEX Electrical Networks for Sound Recording, F. L. Hopper, v. 3,1, no. 5 (Nov. 1938), p. 443. Multiple-Channel Recording, H. G. Tasker, v. 31, no. 4 (Oct. 1938), p. 381. Application of Electrical Networks to Sound Recording and Reproducing, H. R. Kimball, v. 31, no. 4 (Oct. 1938), p. 358. Permanent-Magnet Four-Ribbon Light-Valve for Portable Push-Pull Record- ing, E. C. Manderfeld, v. 31, no. 3 (Sept. 1938), p. 315. Sound-Stages and Their Relation to Air-Conditioning, C. M. Wert and L. L. Lewis, v. 31, no. 3 (Sept. 1938), p. 287. Application of Non-Linear Volume Characteristics to Dialog Recording, J. O. Aalberg and J. G. Stewart, v. 31, no. 3 (Sept. 1938), p. 248. Distortion in Sound Reproduction from Phonograph Records, J. A. Pierce and F. V. Hunt, v. 31, no. 2 (Aug. 1938), p. 157. Overload Limiters for the Protection of Modulating Devices, R. R. Scovillc, v. 31, no. 1 (July 1938), p. 93. Ultraviolet Push-Pull Recording Optical System for Newsreel Cameras, G. L. Dimmick and L. T. Sachtleben, v. 31, no. 1 (July 1938), p. 87. Push-Pull Recording with the Light-Valve, J. G. Frayne and H. C. Silent, v. 31, no. 1 (July 1938), p. 46. Processing of Ultraviolet Recordings on Panchromatic Films, J. O. Baker, v. 31, no. 1 (July 1938), p. 28. Philips-Miller Method of Recording Sound, R. Vermeulen, v. 30, no. 6 (June 1938), p. 680. Pick-up for Sound Motion Pictures (Including Stereophonic), J. P. Maxfield, A. W. Colledge, and R. T. Friebus, v. 30, no. 6 (June 1938), p. 666. Research Council Nomenclature for Release Print Sound-Tracks, J. K. Hil- liard, v. 30, no. 6 (June 1938), p! 656. Sound-Film Phonograph, D. R. Canady and V. A. Welman, v. 30, no. 5 (May 1938), p. 591. New Ideas in Mobile Sound Recording Equipment, C. M. Ralph and J. G. Matthews, v. 30, no, 5 (May 1938), p. 577. Scoring-Stage Design, M. Rettinger, v. 30, no. 5 (May 1938), p. 519. Sound-Level Meter in the Motion Picture Industry, H. H. Scott and L. E. Packard, v. 30, no. 4 (Apr. 1938), p. 458. Simplified Device for Cueing Motion Picture Films, R. Vincent, v. 30, no. 2 (Feb. 1938), p. 227. Mobile Sound Recording Channel, L. T. Goldsmith and B. F. Ryan, v. 30, no. 2 (Feb. 1938), p. 219. Fader Setting Instruction Leader, (Academy Standard), v. 30, no. 2 (Feb 1938), p. 215. Hunting the Songs of Vanishing Birds with a Microphone, P. Kellogg, v. 30 no. 2 (Feb. 1938), p. 201. Theoretical Notes on the Push-Pull Method of Recording Sound, O. O Ceccarini, v. 30, no. 2 (Feb. 1938), p. 162. Push-Pull Recording, J. K. Hilliard, v. 30, no. 2 (Feb. 1938), p. 156. Recorder for Making Buzz-Track, E. VV. Kellogg, v. 30, no. 2 (Feb. 1938), p. 150.