Journal of the Society of Motion Picture Engineers (1930-1949)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

388 K. FAMULENER AND E. LOESSEL not primarily concerned with these small time intervals. We found that motion picture positive emulsions of various manufacture varied greatly one from another in the rate of latent image regression. MR. HUSE: It is Hollywood practice to make sensitometric exposures some hours ahead of their actual use. For example, the exposures may be made in the morning for use that night. Investigation has shown a more marked regression of the latent image during the first few hours after exposure — beyond which the change is slight and progresses very slowly. MR. CRABTREE : What is the difference between the results obtained with film on a nitrate base and film on an acetate base? Also, what is the effect of high humidity and high temperature in the result ? MR. COOK: We are not prepared to answer Mr. Crabtree's questions at the present time. However, this investigation is being continued and we believe that Mr. Crabtree's queries will be answered when pur later findings are published.