Journal of the Society of Motion Picture Engineers (1930-1949)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MAGNETIC RECORDING FOR MOTION PICTURE STUDIOS* WESLEY C. MILLER** Summary. — Magnetic sound recording systems are being investigated for possible application by the motion picture industry. With limited current literature and the general nature of present industry discussions, certain peculiar requirements for studio use have not been taken into account, but are outlined here. The discussion represents the opinion of one studio's sound department based on the present state of developments and the information at hand, but is, of course, subject to modification as experience and additional information are acquired. It seems almost certain that some form of the magnetic methods of recording and reproducing sound can have an important value in many phases of motion picture sound recording. That their value can extend to the theater reproduction field as well seems probable but for present purposes no attempt will be made here to evaluate the use in this part of the field. Many groups are studying magnetic methods but the limited current literature and the discussions in general appear to be directed along lines which, while valuable in themselves, do not take into account certain peculiar requirements which are important to the studio use of recording media in picture production. While a new medium which may be a replacement for film may, because of its nature, require changes in existing technique, nevertheless these existing techniques should be studied to see how much could be salvaged by adapting the new processes to what we have rather than by taking the other point of view of trying to change everything to conform to present known forms of the magnetic medium. As a starting point, let us make a few assumptions as follows and then see what could be done with the magnetic methods: (1} Frequency response can be made at least equivalent to that of our present film . This must be qualified by the factors of signal-to-noise ratio and distortion, in other words, high-quality volume range. * Submitted Jan. 11, 1947. '* Sound Department, Metro-Goldwyn-Mayer Studios, Culver City, Calif. 57