Journal of the Society of Motion Picture Engineers (1930-1949)

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48 FORREST July After edge-treating, the solution is allowed to react for 15 seconds and is then removed by a special spray washing the excess solution off the track area (Fig. 9). From this point, the film is returned to the processing machine and continues on through the rest of the process in the usual way. Sound tracks processed in this way are permanent and are no more subject to scratches and abrasions than normal silver sound tracks made on black-and-white film. Any subsequent treatment, such as lacquering or waxing, which can be applied safely to the color film, will not harm the treated sound track. Fig. 9 REFERENCES (1) J. L. Forrest, "Machine processing of 16-mm Ansco color film," J. Soc. Mot. Pict. Eng., vol. 45, pp. 313-327; November, 1945. (2) A. M. Glover and A. R. Moore, "A phototube for dye image sound track," /. Soc. Mot. Pict. Eng., vol. 46, pp. 379-387; May, 1946. (3) Glover and Jones, "A new high sensitive photo-surface," Electronics, August, 1940. (4) R. O. Drew and S. W. Johnson, "Preliminary sound track tests with variable-area dye tracks," J. Soc. Mot. Pict. Eng., vol. 46, pp. 387-405; May, 1946. (5) R. Gorisch and P. Gorlich, "Reproduction of color film sound records," ,/. Soc. Mot. Pict. Eng., vol. 43, pp. 206-214; September, 1944.