Journal of the Society of Motion Picture Engineers (1930-1949)

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1949 TELEVISION STUDIO LIGHTING 613 in terms of appropriate grays, is important. Accordingly, studio work is usually done with one of the two other types of image-orthicon tubes whose sensitivity is lower by a factor of 2 to 5 times. Adding up the effects of the three foregoing factors, we come out with a practical requirement of from 200 to 300 foot-candles of incident-light intensity for good television studio work. 3500 4500 5000 5500 6000 65OO WAVELENGTH IN ANGSTROM UNITS IVIOLET i BLUE GREEN lYELLOWIORANCq General Electric Lamp Department Fig. 1 — Photoeffectiveness of 5655 image orthicon with 4500-degree white fluorescent lamps and 3000-degree-Kelvin tungsten lamps. All of the above curves are based on the fluorescent lamps except curve B. COLOR REQUIREMENTS The curves of Fig. 1 show the variation with color of signal output from a typical image-orthicon camera tube under illumination with fluorescent and incandescent lamps. The ordinates of these curves are proportioned to the actual electrical signal voltages developed in the transmitting channels following the camera. It will be noted