Journal of the Society of Motion Picture Engineers (1930-1949)

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groups. The answer is threefold. First, the basis of an accurate theory was laid just prior to the war by Professor J. T. Rule,8 and was apparently used by J. A. Norling in the production of his wellknown and very successful films. Second, a number of pictures have been produced outside the United States on the basis of no proper transmission theory Fig. 10. The third dimension in this type of shot gives the foreground figure an almost physical effect of size and massiveness. at all, severe eyestrain having been avoided only because the size of the projection screen was very small. Third, and most recently, the early work of Rule has been overlooked or ignored, and a number of simplified procedures have been suggested, many of them the subject of exaggerated claims, such as that they completely eliminate distortion, or that they make 3-D filming Spottiswoode, Spottiswoode and Smith: 3-D Photography 275