Journal of the Society of Motion Picture Engineers (1930-1949)

Page scan 000284 from Journal of the Society of Motion Picture Engineers

Record Details:

Title:
Journal of the Society of Motion Picture Engineers
Date:
1930-1949
Publisher:
New York, N.Y. : The Society
Volume:
Journal of the Society of Motion Picture Engineers
Leaf #:
000284
Language:
English
Collection:
Technical Journals
Format:
Periodicals
Contributor:
Prelinger Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
The Journal of the Society of Motion Picture Engineers (SMPE)Êdocuments the technological progress of the film industry, highlighting technical developments in production and exhibition. Of special interest are articles about special effects, theater practices, lighting, and the introduction of the 16mm format. Initially titled "Transactions of the Journal of the Society of Motion Picture Engineers."Digitized by the Prelinger Library and the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.
Date Added:
July 19, 2022
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groups. The answer is threefold. First, the basis of an accurate theory was laid just prior to the war by Professor J. T. Rule,8 and was apparently used by J. A. Norling in the production of his wellknown and very successful films. Second, a number of pictures have been produced outside the United States on the basis of no proper transmission theory Fig. 10. The third dimension in this type of shot gives the foreground figure an almost physical effect of size and massiveness. at all, severe eyestrain having been avoided only because the size of the projection screen was very small. Third, and most recently, the early work of Rule has been overlooked or ignored, and a number of simplified procedures have been suggested, many of them the subject of exaggerated claims, such as that they completely eliminate distortion, or that they make 3-D filming Spottiswoode, Spottiswoode and Smith: 3-D Photography 275