Journal of the Society of Motion Picture Engineers (1930-1949)

Record Details:

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synchronization to an observer seated 50 ft from the screen. Some years ago this 21 -frame French proposal was received in the U.S. via correspondence, and circulated here for comment over a period of months, with unanimous agreement that it would be impractical for the U.S. to change. A half-hour's direct conversation with the French, English and German delegates brought out the fact noted above, that the U.S. has been using this proposal all along — only the standard itself needs to be changed to bring everything into agreement! The opportunity of serving as the chairman of this first meeting of ISO/ TC36, although approached with some uncertainty, is looked back on with deep appreciation. This was a most heartening experience, and all who contributed to these meetings have the right to feel that the work of TC36 has now been given a most effective start. When men of good purpose sit down together and talk things over, much can be accomplished, as witness the following report by Henry Kogel. We are proud and happy to have played a part. Agenda and Accomplishments of ISO/TC 36 Meeting By HENRY KOGEL, SMPTE Staff Engineer THE PRECEDING REPORT on international standardization by F. T. Bowditch has clearly outlined the general aspects of the three-day meeting, June 9-11, of Technical Committee 36 on Cinematography of the International Organization for Standardization (ISO/TC 36). It is, therefore, the intent to present here only the specific details considered and the concrete results to date. The draft agenda was considered first, then amended slightly. It is given below in its final form along with the Working Group associated with each item. 1. Welcoming Remarks, D. E. Hyndman 2. Introduction to Those Present, G. F. Hussey, Jr. 3. Opening Remarks by the Chairman, F. T. Bowditch 4. Approval of Agenda 5. Review of Scope 6. Dimensions of Raw Stock — Work Group 1, chaired by D. R. White, United States 7. Definition of Safety Film — Work Group 2, chaired by Leslie Knopp, United Kingdom 8. Emulsion and Sound Record Position in Cameras and Projectors — Work Group 3, chaired by Leo Busch, Germany 9. Dimensions and Location for Sound Records and Scanning Area — Work Group 4, chaired by Malcolm Townsley, United States 10. Location and Size of Picture Apertures in Cameras, Projectors and Printers — Work Group 5, chaired by Jean Vivie, France 11. Standards Relative to Projection Halls — Work Group 6, chaired by Leslie Knopp, United Kingdom 12. Review of Program of Work Bowditch and Kogel: International Standardization 351