Journal of the Society of Motion Picture Engineers (1930-1949)

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ORIGINAL i HsSMMANSCO H| E 843 COLOR 3 P NEGATIVE ^ CONTACT CONTACT CONTACT PRINTING PRINTING PRINTING 3 H 35MM B&W J MASTER C POSITIVE 35MMANSCO H 848 COLOR J 'SO FT' POSITIVE jl -^OPTI -REDU s^PRIN CAl7^\ CTION-A— riNG^X CONTACT ' PRINTING -REDUCTION ^^PRINTING^ •^ 3 E35MMB&W DUPE NEGATIVE 16 MM M DUPE 1 NEGATIVE • — ^— REDUCTION— ^~ \^PRINTING^/ CONTACT PRINTING CONTACT PRINTING H ^ -^ MM J t 35 MM >CO C BLACK & ,OLOR J C WHITE I6HMKOOA-M g AN; E &48 1 jjj 16 MM • ^ B4W ^ 16 MM jri RELEASE PRINTS Fig. 1. Methods of release printing from Ansco 843 Color Negative. behind the camera" holds. However, very pleasing and excellent results have been achieved with sidelighting. Closeups of characters completely backlighted by the sun, and frontlighted by booster lights or aluminum-foil reflectors show good latitude in the flesh tones. Makeup used for interior photography for men is Max Factor No. 27 Pancake sparingly applied. For women, ordinary street makeup is recommended. The exposed negative material which our studio produces is sent to the Houston Color Film Laboratories for developing and printing. A brief summary of these processes are3: Reid H. Ray: Color in Production 407