Der Kinematograph (April 1911)

Page scan 00048 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1911
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1911)
Leaf #:
00048
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Oer Kinematograph — Düsseldorf. Mtien - Gesellschaft für Xinematograpbie Tele t ra mm-tdrwe: D und filmoerleib Jtrassburg i. äfsass. 0 D Matten Sie ?(atz in fbrem Programm ™ 13. Mai 1911 Pf Es erscheint an diesem Tage ein Bild welches jeder Kinotheaterbesitzer zeigen i Der Watfjtfalter ii Rolle spielt, das n sb (Sie baden keine Geldopfer zu bringen! m Die Erwerbung dieses Films wird Ihnen im Gegenteil volle Häuser sichern. Wir spekulieren nicht auf übren Geldbeutel! sondern bieten Ihnen ein künstlerisches Ereignis, ein Werk, welches tatsächlich geeignet ist, die Kinematographie auf ein hohes künstlerisches Niveau zu bringen. Asta Nielsen, die berühmte dänische Darstellerin, spielt in diesem Bilder-Drama die Hauptrolle. Wer Asta Nielsen ist brauchen wir der Filmkundschaft nicht zu sagen Der Fachmann weiss und kennt die Bedeutung dieser dramatischen Künstlerin, die sich mit der Schaffung von lebens¬ wahren Gestalten in „Abgründe“, „Heisses Blut“ bereits unvergängliche Lorbeeren erworben hat- Beschreibungen und Reklamematerial liefern wir in eleganter Ausführung sehr preiswert. Erste Woche Zweite Woche Dritte Woche . Vierte Woche Fünfte Woche . Sechste Woche. Die Leihpreise . . 40 Pfg. ir den Film sind: Siebte Woche . Achte Woche Neunte Woche. Zehnte Woche . Elfte Woche Monopol für Oesterreid)-Ungarn: £ic6tspiel-Geseßsd)nft in eöln «. %b.