Der Kinematograph (1912)

Page scan 00010 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
1912
Volume:
Der Kinematograph (February 1912)
Leaf #:
00010
Language:
German
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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D«r Kincmatograph — Dömeldorf. Das 2ak(ige Sensalionsdrama ich verleihe noch ■ ■% I.. 9.. 19, IIA 1 4. S.. 9.. 7. Nllll. GELD Meisterwerk in Spiel, Handlung, Szenerie und es ist lohnend fOr jeden Tbeaterbesitzer, sich mit i:r aiiftührungKreehl zu sichern. Icli liefere grone Pialuite. Auf Anfrage gern Spezial-Otferte. Düsseldorier Film-NaiiDialitur, Ludwis Eoltsdialli, Disseldorl. Ein glänzendes Debüt macht seit Samstag ln den Theatern meine neneste Sensation Vom Anfang Iris zum Ende spannend, iMch- Inferessant. Ein Icritlseliet Beispiel hirtester Letens-Tiusehungen eines Glückijigers. Effektvolle Buntdruckplakate. fflOchs tnuinel Ich verleihe alle Wochen 1.—10., auch Erstauffiihrungsrechte. Düsseldorfer Film - Manufaktur Tn^SSSTr’flSM.'TSjSSooitF Ludwig Gottschalk, Düsseldori, C—traWior. FOtufiHUat«. fOr Schlesien Hans Koslowsky, Breslau, Höfchenstrasse 18. uKlirRIPr » Norddeutschland Og. Kiesewetter, Berlin-Charlotten bürg, Leonhaidstr. 10. VWIUUIUI« Süddeulschland Franlcfurter Film Co., O. m. b. H., Schaumainkai 3. Tel. Ami I, 1858. „ Königreich und Provinz Sachsen Hanewacker O Scheler, Leipzig. „ Berlin Richard Ooldstaub, Berlin-Wilmersdorf, Prinzregentenstr. 1—2. „ Hamburg und Schleswig-Holstein Krüger » Vogt. Hamburg, Görllwiete 3.