Der Kinematograph (1912)

Record Details:

Title:
Der Kinematograph
Date:
1912
Volume:
Der Kinematograph (February 1912)
Leaf #:
00064
Language:
German
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der KlBematoKn^h — DHinMorL No. 2( Reiches Notenrepertoire in jedem Genre ! Künstlerisches Notenarrangement! Poppers Orchestrion „Rex“ Höchste Auszeichnungen ! Glänzende Atteste I Wie ein Kinemaiographen-Besitzer über „Poppers Rex“ urteilt: Ich bin höchst zufrieden mit Orchestrion „Rex". Es ist das geeignetste Instrument fflr einen Kinematographen und i^t von so angenehmer KlangschOnheit, dass man nicht mdde wird, es anzuhören. Der Beweis dafür ist, dass die Zahl der Besucher zugenommen hat, und diese immer das Instrument hören wollen. Die Musik begleitet die Projektion auf das Beste; ich habe so viele andere Instrumente schon gehört, aber dieses ist das wahre Ideal fdr einen Kinematograph. Schon 3 Monate spielt es von 6 bis It Uhr täglich ohne Veränderung, es geht immer tadellos. Ich kann mir nur gratulieren, ein derartiges Instrument erworben zn haben. MeitlDSSlelllRl Tirifl 1i11; Höchste Auszeichnung ppGrand Prix^^. Popper & Co. Leipzig. j