Der Kinematograph (1912)

Record Details:

Title:
Der Kinematograph
Date:
1912
Volume:
Der Kinematograph (February 1912)
Leaf #:
000117
Language:
German
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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D«r Kinemalosni^ Uüs8eldorf. Ein neuer Stern am Kinematographenhimmel ist die Kunst-Film-Verlags- Gesellschaft, Düsseldorf, lueldie mit der Herausgabe ihrer grossen und luirklichen Kunst - Schlager - Films Die Qesellsdiaft hat es sich zur Aufgabe gemacht, nur erst¬ klassige Films in Technik und wirklich künstlerischer Ausführung, in noch nie dagewesener unuergleichlicher Leistung der Oeffent- lichkeit zu übergeben. Es werden nur 2 - bis 3 aktige Dramen, Tragödien etc., ausnahmslos Weltschlager, herausgegeben und hat die Gesellschaft einstweilen 23 führende Sensations-Schlager in Bearbeitung, welche durch künstlerisches Reklame - Material glänzende Triumphe uerbürgen. Die Gesellschaft hat Vertreter in allen Ländern. Prompte und reelle kulante Bedienung bei allen Aufträgen und bei jedem Quantum. Kunst - Film -Verlags- TcleKramm-Adresse: „Kunstfilm“.