Der Kinematograph (August 1912)

Page scan 0008 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
August 1912
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (August 1912)
Leaf #:
0008
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Global Cinema, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematogrsph — Düsseldorf. No. 2W3. 20ÖÖ Hfldw %roqvammz 1 $um T. September kaufen wir noch 2 Programme, jede* 2000 Meter lang, zwei¬ maliger Wechsel. Hiervon sind noch zu besetzen: Eine erste Woche Eine dritte Woche Eine vierte Woche Eine sechste Woche Eine achte Woche Dadurch, dass wir selbst grosse Theater unterhalten, stehen wir ständig mit den Kreisen, welche die Theater besuchen, in engster Berührung und lernen somit die Geschmacksrichtung des Publikums genau kennen. Das ist der erste Erfolg der jetzigen Grösse unseres Unternehmens. Wir unterhalten ein eigenes Reklame- Atelier zur Herstellung der Reklame, welche Sie benötigen. Ein eigenes photographisches Atelier setzt uns in den Stand, Ihnen zu den Films, wozu die Fabrikanten keine Photographien aerausbringen, dennoch solche mitzuliefem. ==== (in öfter Kundenkreis ==== welcher seit der Eröffnung unseres Verleihgeschiftes ohne Unter¬ brechung von uns Programme bezieht, und deren Theater als die besten an den verschiedenen Plätzen bekannt sind, muss Ihnen zur Genüge sagen, dass unsere tomnyefand iniedwdk$khwi\$ Tonhallen -Theater- Gesellschaft m. b. H., Boohum. Farnruf 1174 und 491. TaL-Adr. : Tonhallen.