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Der Kinematograph (November 1912)

Page scan 00052 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
November 1912
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (November 1912)
Leaf #:
00052
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinemato^raph — Düsseldorf. No. 306. Liefert als Spezialität: Kinematographen von erstklassiger Bauart und Optik, Ricsenlager von Films u. all. Zubehör zum Grossbetrieb, wie: Codtnsorlinwn, di. m ,t spring, n. lichtstirks'en Objektiven, allesZulx-hür für elektr. Lieht u. fürdos Kalklicht. !! Nur Qualität!! Jeder Film ein 8chlager. Io. Konventions - Programme noch frei: ab 26 Oktober er.2. Woche ,11. ..1 Gaumont-Apparate M beste Thewter-Maschine. --— Film-Motore n-MMI Eli Paul Gelbert, Dresden Telephon 18486. Bürgerwiese 16. 1 hj = Sofort billig zu vermieten: = Blaues Blut ss Titanic Die Tragödie einer Mutter Alles um Liebe #• Todesritt Rheinisch-Westfälische Film-Centrale, Bochum Telephon: 1781. 61»! TetatT.-Aürwwe: Fllm-Csatrals. I Präzise Arbeit! 6419 Bestes Material ===== Alle Reparaturen ===== Jan kinematogr. Apparaten jeden Systems, speziell Neuzalmeu de Transportrollen. führe ich schnellstens aus. Einheitspreis für Neu Zahnungen in jeder Zahnezahl pro 2 Rollen 7,50 Mit. T ' I Werkstatt W. Mette, Ersen < Kuhr). Schützen« r 13. T.-l. r Sclsiis »grtli. Schuld und Sühne > Herzensgold 3 Der Todesriti i Die grosse Circusattraktion I Theodor Körner ’ Fahrendes Volk i Titanic, oder in Nacht und Eis i» Das Brandmal ihrer Vergangenheit > Gretchens Liebesroman . Erwachen zum Tode " Max als Opter des Bordeauxweines 5 Der Teufel ist los " Der Eid des Stephan Hüller I o .. II 0 Mamsell Nitouche i* Ein Lebenslied ü Der Unbekannte " Die Braut des Todes ü In Scheidung ii D e gelbe Rasse H Die Konfektioneuse • Die Ernte des Todes, kol. i) Der Schrecken der Wüste 5 Passionsspiele, Pathö, kol. *| Der Schrei nach Lebensglück 0 Aus dem Scheunenviertel .> Des lebenden Gruft || Die Vampyrtänzerin o Das Todesschitf || Gerettet aus dem Meeresgründe 0 Glück auf 5 Wenn die Liebe stirbt Telegrammwort Siihncnschuld Henensgokl Todesritt Attraktion Lebcnslied Unbekannte Todesbraut Scheidung Rasse Konfektioneuse Tod«*emte Wüst enschrcc ker Passion «spiele Lebensglück Scheunen viert el Gruft Vampyrtänzerin Todesschiff Meeresgrund Bergraannsgrus. Liebeasterben Gute Neben Programme werden zu jedem Schlager auf Wunsch geliefert und billigst berechne. Adolph Schindler = Reichenbach i. Schfes. = Synchron-Einrichtungen. 2^; Thorogesellschaft m.b. h., Hamburg 15, spaidingetr. 214. anerkannt erstklassiges Fabrikat, arbeitet vollständig automatisch. Dauernd absolut genaue Uobsrotnsünun uns. Eli Danaraa absolut gsnsqe UobsrelasUnunung. Ein Bedienung. W. ltgeb. nd.te OaruUo. Lstchtr Regu >.