Der Kinematograph (April 1913)

Page scan 000196 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1913
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph April 1913
Leaf #:
000196
Language:
German
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph — Düsseldorf. No. 329. pur Film-Auf nahmen.» :: Fabriken, Be g werken, Sälen, Theatern, Kliriken, Krankenhäusern etc. :: kommt als einzige die berühmte 8200b = Jupiter-Kinolampe == in Frage, in bequemen Transportkisten ohne PackmatoriaL Leichte Montage! Einfacher Anschluss! Grösste Leistungsfähigkeit! UiegHaines Kabel in Leder eingenäht, überall zuL, stets am Lager. Auskunft und Raterteilung für alle verkommenden Kino-Aufnahmen auf Grund jahrelanger reicher Erfahrungen. Illustrierte Preisliste von „Jupiter", Elektrophot. G. m. b. H., Frankfurt a. M. Einzige Spezialfinna ‘ auf dem Gebiete des Kunstlichtes. - - Lager und Vertretung für Berlin: C. Brasch, Leipzigerstr. 8. Export-Vertreter: Henri Adolf Müller, Hamburg 1t, Königstr. 51, „Tettenbomhaus". 3000Kerzen Klnematographeallchl in jedem Dorfe bringt unser Tr Iplexbrenner. Katalog K gratis und franko. - Drägerwerk Ai, Lübeck. Stra»bnr$er Film-Börse. Strossbu'S l. Eis. Gewerbslaufecn 29. Passage Müller. Lager in: Projektion*-Apparaten, Kondensor-Linsen, Objektiven, Lampen und 787 PROJEKTIONS - KOHLEN zu sensationell billigen Preisen. = FILM - VERLEIH = für Wochentags- und Sonntag»-Programme, glänzend rusammengestellt. stets 1. evtL auf Wunsch 2 Dreiakter, von 20 Mark. an. Tolephon: 4077. Toi.-Adr.: FllmHrss, Gewerbslauben 29. 1. Internationale Kino-Ausstellung Wien 1912: „Ehrendiplot und silberne Medaille*'. Kinokongress Berlin 1912: I. silberne Medaille. Üheater-Gestühl Kinokonoress Berlin 1912: Otto & Zimmermann, Waldheim (Sachs.) Gegründet 1893. S P02 j 3 IT 3 1> T j k Gegründet 1W3. Fernruf 194. — Telegramm-Adresse: Zimmermann, Stuhlfabrik. re» 0 Arbeiterzahl: Verlangen Sie Katalog und Preisanstellung. Wodienproduktior ca. 150. la. Referenzen stehen gern zur Verfügung. —* 2500 Stühle. _ Fabriklager: P. Grünthal, Berlin SW., Kommandantenstrasse 15. — Stets grosses Lager in allen Sorten.