Der Kinematograph (April 1913)

Page scan 000228 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1913
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph April 1913
Leaf #:
000228
Language:
German
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph — Düsseldorf. No. 330. Deutsche Kinematographen-Gesellschaft Cöln a. Rhein. Sehr geschätzte Herren I In der „Ersten Intern. Filmzeitung“ lese ich höchst überrascht, dass Sie die vorzügliche Qaumont-DarsteIle rin Susanne Srandais engagiert haben. Somit erlaube ich mir. Ihnen zu dieser Wahl herz¬ lich zu gratulieren, denn Fräulein Srandais ist meines Erachtens nach die vorzüglichste Film- — 1 überhaupt — Schauspielerin. Bei noch keiner Darstellerin habe ich soviel Anmut und vor allen Dingen Natürlichkeit gefunden wie eben bei der genannten Dame. Und Kunst ist Natur; die treueste Nachbildung der Natur, die höchste Kunst . Dass Sie mit Fräulein Grandais Erfolge haben werden, daran zweifle ioh nicht, zudem haben Sie der deutschen Branche ein hochgeschätztes erstklassiges Mitglied zugeführt, und wünsche ich, dass Fräulein Grandais sich recht wohl in Deutschland fühlen mag. «ez. D.den 30. März 1013. W. A.