Der Kinematograph (June 1913)

Page scan 000202 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
June 1913
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph June 1913
Leaf #:
000202
Language:
German
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph — Düsseldorf. Xo. 339. Deutsche Film-Gesellschaft Köln a. Rh. Glockengasse 9 Fernruf: B. 2575. B 257fo Glockengasse 9 Telgr.-Adr. „/"Vonopolfilr Wiederum ist es uns gelungen, das beste was der Film-Markt zur Saison bringt, zu erwerben: EVÄ Ergreifendes Schauspiel in 5 Akten v. Richard Voss In der Titelrolle: Henny Porten, die beliebteste Schauspielerin derGegenwart Sämtliche Tages- und Fachzeitungen zollten dem Film einstimmiges Lob . . . . Eva führt die Filmkunst mit einem Riesensprung In eine neue Epoche. Von Darbietungen wie „Quo Vadis"? abge¬ sehen. gab es bisher nichts, was dieser „Eva" gleich die erbittertsten Feinde der Kinematographie 7u Verehrern umwandeln könnte. Hier liegt der Beweis vor. dass im Film wahre Kunst nicht minder geboten werden kann. wie die vollgültige Wirkung einer Schauspielbühne. Henny Forten hat sich in diesem Film selbst übertroffen. •.***«*%* Monopol-Inhaberin für Rheinland-Westfalen nur Deutsche Film - Gesellschaft, Köln