Der Kinematograph (October 1913)

Page scan 00093 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
October 1913
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph October 1913
Leaf #:
00093
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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No. 35 3. ‘Idorf. „Der Kinematograph“ hat eine derartige Ausdehnung genommen, dass der Versand der einzelnen Nummer unter Kreuzband im Iniand jedesmal * 20 Pfg. kostet, das. is im Vierteljahr 2,60 Mk., während wir nur 2,to Mk. an Abonnement erhalten, also an jedem Abonnement im Jahr 2 Mk. mehr an Porto ausgeben, als wir überhaupt erhalten. Ins Ausland kostet jede Nummer jetzt 30 bis 35 Pfg-, das ist für ein Exemplar im Jahr ungefähr 16,50 Mk. und wir erhalten nur 14,30 Mk., legen also bei freier Hingabe der Zeitung noch ca. 2,20 Mk. für Porto zu. Wollen wir den „Kinematograph“ auch fernerhin, wie seither, als erstklassiges Fachblatt führen, so sind wir gezwungen, die Ausgaben und Einnahmen etwas mehr in Ein¬ klang zu bringen. Ab 1. Oktober stellt sich deshalb der Bezugspreis wie folgt: In Deutschland, Oesterreich-Ungarn und Luxemburg bei einer Postanstalt bestellt: das Vierteljahr 2,10 Mk. Jede Nummer unter Kreuzband zugesandt: Inland 4 Mk., Ausland 6 Mk. Wir bitten, bei den Postanstalten zu bestellen; infolge der Kontrolle der bestellenden Postämter ist die Zustellung ebenso schnell und zuverlässig wie unter Kreuzband und im Falle eines Umzugs oder Stellenwechsels gegen eine geringe Gebühr die Ueberweisung an den neuen Wohnort zulässig. Hochachtungsvoll Verlag des „Kinematograph“