Der Kinematograph (November 1913)

Record Details:

Title:
Der Kinematograph
Date:
November 1913
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph November 1913
Leaf #:
000225
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinrmatograph — Düsseldorf. Den grössten Erfolg für jeden Theaterbesitier bringt unstreitig: 99 Die blaue maus Ein toller Sdiroaolf in 4 flhtpo (Länge ca. 1700 ml non J. Hont und fl. Engel; Regie: Iflax mailt. In der Titelrolle; magde Leising imetroool-Theater. Berlin). 66 „Die blaue maus* „Die blaue maus“, „Die blaue maus“ dich der lugkriftigHh’ Selilugurfili i d*-r Oiynnnrl und wird in jodciu Thunu» jeden dagewesenen Knssenerfolg überlreflen. Siriiern Sie siih dunti „Die blaoe maus“ den grünten Kanenidilager und damit den grünten Erlolg der Saison. Sie erleben eine.i Kassenslurm mie niemals zuuor. Ulenden Sie sidi megen Dutlührungsredite an die Eirma: Reidel & meuer • Filmuerlrieb Oldenburg i. Or. Fernruf Ib3. Teleqramm.-Hdr.: Filmuerlrieb. Oldenburqgr. nionopoMntiaberin folgender Bezirke: Provinz Hannover. Städte: Magdeburg, Stendal, Salzwedel. Grossheizogtum Oldenburg. Herzogtum Braunschweig. Bezirk Bremen. ProvinzSchleswig-Hotstein, Ost- u.Westpreussen Pommern, Posen und Grossherzogtum Mecklenburg-Schwerin-Strelitz, sowie Fürstentum Lübeck u. Stadt. Provinzen Rheinland u. Westfalen. NB. ,,D i c blaue Maus“ ist in Berlin schon weit über 100 mal mit täglich steigendem Erfolg vorgeführt worden. Ein Erfolg, welchen bis jetzt noch kein Film hatte.