Der Kinematograph (November 1913)

Page scan 000299 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
November 1913
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph November 1913
Leaf #:
000299
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Global Cinema, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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WIIIIIIIIIIIIIIIIM Der Kinematograph — Düsseldorf. So. 361. Den grössten Erfolg für jeden Theaterbesitzer bringt unstreitig: Die blaue Maus Ein toller Schwank in 4 Akten (Länge ca. 1700 m) von J. HORST und A. ENGEL; Regie: MAX MACK In der Titelrolle: Madge Lessing (Metropol-Theater. Berlin) Die blaue Maus ist die ausgelassenst Komödie, die je über die Lein¬ wand ging und muss in jedem Hruse Lachstürme und Beifallklatschen auslösen. Die blaue Maus ist der erfolgreichste Schlagerfilm dieser Saison, den kein Theaterbesitzer entbehren kann. Die blaue Maus is; nachweislich der zugkräftigste Schlageriilm der Gegenwart und wird in jedem Theater jeden dagewesenen Kassenerfolg übertrefien. Sichern Sie sich durch „Die blaue Maus“ den grössten Kassenschlager und damit den grössten Erfolg der Saison. Sie erleben einen Kassenansturm wie niemals zuvor Wenden Sie sich wegen Aufführungsrechte an: Keidel & Meyer, owenburB i. Qr. Filmvertrieb Monopol-Inhaberin folgender Bezirke: Provinz Hannover, Städte Magdeburg, Stendal, Salzwedel, Grossherzogtum Oldenburg, Herzogtum Braunschweig, Bezirk Bremen, Provinz Schleswig- Holstein, Ost- und Westpreussen, Pommern, Posen und Grossherzogtum Mecklenburg - Schwerin - Strelitz, sowie Fürstentum Lübeck und Stadt, Rheinland und Westfalen. Fernruf 163 Telegr.-Adr.: Filmvertrieb Oldenburggr. XXXXXXXXXXXXXXXXXXXtllXXXXXXXXXXIXIXXII XIXXIXXXXtEXXSIXXXXXXXXIXXIXXXXXXXXX „Die blaue Maus“ ist in Berlin schon weit über 100 mal mit täglich steigendem Erfolg vorgeführt worden. Ein Erfolg, welchen bis jetzt noch kein Film hatte.