Der Kinematograph (February 1914)

Page scan 000185 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
February 1914
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph February 1914
Leaf #:
000185
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph — Düsseldorf. Zur gefl. Beachtung! Unsere Zeit ist bestrebt, iilier alle Vorgänge schnell zu unterrichten. Tages¬ zeitungen und illustrierte Zeitschriften scheuen keine Kosten, tun olle wichtigen Tagesereignisse »uf schnellstem Wege in Wort und Bild zu bringen. Aber man darf wohl sagen, dass dies nicht entfernt an die kinemntngraphische 1 erichterstnltung. unter der das PÄTHE-JOURNflL an erster Stelle steht, lieranreiclit. Ks ist logisch, dass oin an allen Kulturzentren vertretenes kapitalkräftiges Woltlians die Aktualitäten am schnellsten, zuverlässigsten und in interessantester Ausstattung zur Kenntnis des Publikums bringen kann. Das ist auch allgemein bekannt, und Sie werden die Beobachtung machen, dass viele Besucher der Kinotlieater in erster l.inie des Path«'*-Journals wegen zum Stamm¬ publikum werden. " Es liegt in Ihrem eigenen Interesse, ein Journal inögliclist sofort nach Er¬ scheinen zu spielen, denn ein veraltetes Journal hat an Wirkung eingebüsst, weil die Besuchor in unserer raschlebigen Zeit das Interesse an den geschilderten Vor¬ gängen dann verloren Italien. Es wird Sie dnher interessieren, zu erfahren, dass wir r »Kr¬ etas Pathe-Journal auch In den ersten Wochen sehr billig verleihen. Wir kommen unseren ständigen Kunden im Preise besonders entgegen; aber auch all«- «uideren Tbeaterls-sitzer lutndeln zu ilirem eigenen Vorteil, wenn sie sich sofort mit iuis in Verbindung setzen wegen l'ebersendung des Pathe-Journal in den ersten Wochen das. wir wiederholen es, die liest«- , umfan greirlist«- und Zugkraftigste Berichterstattung der Welt ist, und bei regelmässig.-r Vorführung auch zu anhaltendstem gescliäftlielien Erfolge führt. Pathe Frferes &. Co-, g. m. b. h. Berlin SW. 48. n. — Druck Düsseldorf.