Der Kinematograph (June 1914)

Page scan 0002 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
June 1914
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (June 1914)
Leaf #:
0002
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kineniatograph — l^Usseldorl. Wir verleUien in Deutschland, ausschl. Braunschweig, Bremen. Schleswig-Holstein und Hannover den be<lfiit»‘iHlsten iiiid vollendetsten arktischen Monopolfiliii, der alles bis jetzt l)age\vesi-iic an Inhalt und Photographie übertrifft: Mit der Kamera im ewigen Eis! 3-iikter Länge 1077 Meter. Die deutsche Hilfsex|Rtlition Lcmer nach Spitzbergen zur Auffindung der veianglückten Schröder-Stranz-Expeciition Zum ersten .Male seit Bt'stehcn der K i ciim' iri iphie gelang e«, unter Ti>de8gefahr des Opera¬ teurs, der seinen Aiifnalnneapparat auf schwankenden Eisbergen aufstellen musste, einen wirkiiehen Schiitbruch aufzunehmen. Auch enthält der Film sensationelle Jagden auf Eisbären, Seehunde und Walrosse! Hprr ThPil^*'^rHirpL^frtr f sind FUmfabrikanten, haben <len Film selbst aufge- 1 ICl 1 1 I ICd. - 1 Lll i CKlLil . nommen und verleihen ihn direkt, ohne da-ss Sie den Nutzen eines Mittelmannes zu zahlen haben. Verlangen Sie sofort Offerte von uns: wir machen Ihnen einen Pteis, der Ihnen einen grossen Nutzen lässt. Wir unterstützen Sie durch Aufsehen erregendes Reklamematerial. Der Film wird das Stadtgespräch bilden und Iha^n Publikum zuführen, das noch nie Ihr Th«‘afer besuchte. Grossartiges Reklamematerlal! Telegrammwort: Eis! Express-Films Co., c. m. b.H., Freiburg i. B. Redaktion und Verlag: „Der Tag im Film“ Erste u. älteste Internationale tägliche klnematograpblsche Berichterstattung (geeeUl. gesch.) Telephon 2170. — Telegrsinni-Adresse: Expreeafilms Freiburgbreisgau. Französische Ausyrabe: Express-Journal. Englische Ausgabe: The Day In the Film.