Der Kinematograph (August 1914)

Page scan 0009 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
August 1914
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (August 1914)
Leaf #:
0009
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinemato?raph 1 iin \er«*in mit »niltT IMr- Ht<*lliin(( trotz der an sich etwas seichten Handliinir. einigen allzuselir in die l^fte Kezogenten Szenen und dem ziemlich schwiu-hen Schhiss zu durchschlaaendom Erfolg verhelfen kann. lier ,.E hriieia einer Mutter" verditmt als kleines Drama entschieden Beacht ima: es zeichnet sich durch eine er greifende, stinumuiasvollc HandlimK luid htilische IlaistellimK aus. Vom Humor sei an erster Steile dttr ausgezeiclinete Linderfilm: ..M az in den Alpen“ genannt, ein Trickfilm, in welchem der lieliebteste aller Kinokomiker alle Rcvhiter seiner liistiiten Kirnst nzieht. — „Fritzchens Geburtstag" bringt ebenfalls .V u g u s t e K m i I i e A g n i‘ s g e b. Böhme zu S a a r - I Ollis I wird heute, am 2.5. .Juli 1914, niM-hinittags I l'lii-. das Konkursvc>rfaltren eröffnet, da die Gemeinsi-huldner ihri- Zahlungen eingestellt lialM>ii. Di'r Ke«-htsanwolt I)r. Donnevert zu Sicirloiiis wird zum Konkursverwalter emiinnt. KonkiirsfordiTUngeii sind bis zum 15. .Viigiist 1914 lx>i d**m (lerichte luizumelden. Es wiixl zur BeschliiMsfaMsiing über die Beils'lieltiing des ernannten oder die Wahl ein«» and<Ten V«*rwalters, üb*-r die Bintellung ein«» CläiibigCM'- aiisschiiss«» und eintretendenfalls ülsa- «lie im { 132 «ler Konkiirs- ordniing b«Tteiehnt‘ten GegimstAiidc sowie zur l*rüfiing der ange- iiieldeten Forderungen auf Ditmstag. den 2.5. August 1914, vormittags