Der Kinematograph (June 1915)

Record Details:

Title:
Der Kinematograph
Date:
June 1915
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (June 1915)
Leaf #:
00091
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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No. 443. Der Kinematograyh — Dütfa^eldorf. Alle Facideute ohne Ausnuiitnc bewumleni die tech¬ nische und künstlerische V^ollkommouheit der Neuheit Das Deseti der Dline Ein Abenteuer des Detektivs Joe Deebs Verfasst und nszeniert von Joe May. — Erster Film der Joe Deebs-Serie. Länge zirka 1270 Meter. L:inge zirka 1270 Meter. Erscheint im Monopoi i. Deutschland: Ende /lugust Mehrere Distrikte bereits verkauft. Vorläufige Verkäufe für das /lusland: Italien, Spanien, Portugal, Südamerika, Frankreich; Lothar Starck, Berlin SW. 48, Fiiedricbstrasse für die Schweiz . Schweizerische Filmgesellschaft, G. m. b. H., Genf für Holland : John Gieldenmayer, Amsterdam für Oesterreich : Philipp Pressburger, Wien Diese trotz des Krises in kurzer Zeit getätigten V^er- käufe sind das beste Urteil für die Qualität des Films. BERLIN SW. 48 MÄY-FIL