Der Kinematograph (September 1915)

Record Details:

Title:
Der Kinematograph
Date:
September 1915
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (September 1915)
Leaf #:
0001
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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No. 463. Der Kinematoirrapli — Düsseldorf. Rheinische Film-Gesellschaft m. b. H. Telegrammadresse: Rheinlilm DÜSSELDORF Telephoa: 4082 4083 WorrlnfirttraiM 113, am Hauptbahnhof. Führende erstklassige Monopolschlager für die Herbst- und Winterspielzeit 1915/1916. Verlangen Sie Offerte oder Vertreterbesuch. 'W Die Tal von Damals I Die hassende Magdalena I Der Krieg örachte Frieden Psycholog. Sensat ionsdrama in 3 Akten. Monopol für Rheinl.-Westfalen. In der Titelrolle: Thea Sandten. Erstkl. Filmroman in 3 Akten. Monopol für Rheinland-Westfalen. Aktuell! Zeitgemäßst Hauptdarsteller: Harry l.iedtke. Monopol für Rheinland-Westfalen. Teddy, Paul Heuiemann in Beinen Glanzrollen. Teddy u. die Huimacherin Eine Wirnnng iOr Fbemänner Pikantes Lustspiel in 3 Akten. Monopol für Rheinland-Westfalen. In der Hauptrolle die Ungar. Diva Skti Fed&k. Monopol für ganz Deutschland. Teddys Fmhlingslahri Eine lustige Frühlingsanekdote in 2 Abteilungen. Monopol für Rheinland-Westfalen. Die Schlangenbeschwörer Hervorrag. Reklame u. Photos. Monopol für ganz Deutschland. Amerikanische „Stone“ Monopole für ganz Deutschland. Miiierstreik i Welberkerrsekatt Glanzendes Lustspiel in 2 Akten. Satin und Ikaros Spannendes Sportdrama in 2 Akten. Der Schwur Der Kindeerhvb, Drama in 5 Akten. Dieses Bild erzielte in den Asta Meisen Lichtspielen, Düsseldorf einen beispiel losen Erfolg. Monopol für ganz Deutschland. wilden Tieren gerichiel. Spannendes Tierdrama in 3 Akten. Grosse 6 teilise u. 4 teilige künstlerische Buntdruckplakate. Herrliche Photos. Monopol für ganz Deutschland.