Der Kinematograph (December 1915)

Page scan 000182 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
December 1915
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1915)
Leaf #:
000182
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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Der Kinematoin'apb — Düsneldorf. No. 470. Filinzeii>ur jiiivt-rtraiit. zieht niaii in .Xinerika »len Kia«»- inaiui jetzt M-Imn zu pü(hi>'<)^ivhen .Veiiitern heran. S<i erimnnte <ler |{ür^;«•^lnei^te^ von Chieairt. ^e^•h^ neue .Mit- ulietler einer S<-huI<le|iutation. <larunt<‘r aueh ilen l*rä- .-identen ih-r Seliji l*o!y>fo|K- <'*inn>;tny. Heirn Will.ani X. Seli;:. l>i«*M- l>e)iutation i>t in-x.fein von ;:ro"«-r It«-- <leutun^. als >ie einer Kainir.er (Ihiard) in l’nteirieht.'- lra)<eTi Kl^‘>vhko;iin>t un«l <lie t'hn-a^iiK-r erfreute sieh bisher «les jrrös.-.ten Aiist-lu-n^ n> «leti \’»-reini>rt«‘n Stiuiten. lH*r liiu-Ketineisler eikläite auf ein«- .Xnfrajie. die Kitien a- t«iKraphie .s<*i zu einer .s«(lehen Rolle iin l'nterriehts\»»-sen Ix'rufeu. da^s er es für jxeboten hielt, einen sohhen h«*rvor- ra>:e»i<len Kinofar'hniann auf «•iiu-n soh-hen I’osten zu lx*rufen. Damit wird dies»- Fin»*nnun<r zu einer Ehiuiv.' »l»-r < h-saint bran»-he. I B^^yrechnisdie Mitteilungen .\ Kein« optisch korrekte Projektionen, -le lM->a r du« ••pti«»lie in \ *-iT»if kuiiH-ii. und du- S-iisation in »ier FiIiikIthiiiui ik 1 ■ . . r,- _ wurde. ..Spi*-lfjlm" war oft k»-ii identiseh mit o U«k^>iid*-r« uns»-r*- jt^zige Zeit liat wem^ iitirit: für mutt. . •.■ huft«- Koiiiunfi^iren. »fie e« ini D-tu-n iiielit j;i! t 'iiul i... ,'_■••• liut- Wulus-iid lu-i der f'|ire»-hbüluie »in- liut-ieuh-tix-iu- s, . in di«-'t r Hiiikieht .«»-hon lüiiu-t nut ei-j-nu in i K< Iir.n,- iiat. nuM'hten «ich lii«ii«*r in d«-n Kino^lüel.*-!! me-h s r iii<>t;lietien Vorz«-ielii.tuijn*n lireit. Die Kiniiu Muy-Kiliii i.«t hi<-r u!~ Keforinulor ■. .nuit" ..i . : I)»T Kiliii lieluuidel't das S<-hn-ksal eim ~ jiuijten t -, - ■■ D-l»i-n"eluffl»-in ulleni niutiizi-n \\'ider>tuiui ziuii trotz «< lii. «4-lH-it*-rte. Ks wirrt hier p-zenrt, was für fiw jiuekeinl»- Izrani.iti^ 'ich ini Kilnidraniu ••rren-lH-n la««t. w<-tm o . ii :■ - i- f .il o.i. . verstellt unit wohl atK-h ilus ZeiiK dazu liHt' t-ni- auf reah-r Grtindlat»- zti st-haffeiD ..Das ist «fas I>ebenV. nift tnan utiwillU ir'; ' ■ r-. r; au«. na»-lid<-ni dieser Mu>filni iwi eiia-ni vorts mez n -i 1 M. Hau|itrotl<- der Heina .Vrnitt »erkörjs-rl du- «< li..i,. t-ilm.lr i M a > . deren faf>elliuft*-s Koiuu-n «ich hier aut- :.eui- ls-w..tirt. Ks ist unniöt’li<-h. zu ljes«-hr«-.b»-n, wie ]»-de Niuue • \un Uer Ku : t lerin ztini .\u.sdru«-k in-liraa-ht wird. Lhis muss man — l!.-t h-i;' Der manuliehe »iejjenspieMT. Direktor Tlie«slor Bontarth. • Ilr •-Is-nfalls eine Meisterh-istun^ i n IMrstelluunskunst auf <ii<- t>- . W'.vsdi'- Kejtn-anlwtrifft, so nenüjtt e«. den Xanjen »le- Ibn-- • ir zu if-nnen; J o e M a v ; . . .