Der Kinematograph (March 1917)

Page scan 00074 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
March 1917
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (March 1917)
Leaf #:
00074
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph — Düsseldorf No. 832 . ; Frankfurt Vl1Tkif'PY f " Telephon: Ha a. Main Telegramm« Braubachstraße 24-2« liefert Feldkinos an Militär, Lazarette, Gefangenenlager Grolles Lager in: Bogenlampen, Kohlenstifte, Kondensorlinsen, Objektive, Motore - /Inlasser, Widerstände, Kriegs-Diapositive - Heerführer. Ernemann „Imperator“ nebst Zubehörteilen usw. :::: !!!!;; Lichtbilderei G. m. b. H., M.-Gladbach Waldhausenerstr. ioo —— Fernsprecher 2095 empfiehlt besonders für Feldkinos. Soldatenheime und Lazarette ihren Kino-Wander-Koffer „Viator“ (D. R. P. 290138) Der Kino-Wan. ler-Koffor, der zu gleict er Zeit das Untergestell ces Kinematographen bildet, enthalt alle«, was zu einer Vorführung von Kinofilmen t der zur Lichtbilderprojektion notwendig ist. und zwar können Solche Vorstellungen 8 fort und 1 hne Vorbereitungen -tatt finden. da alles Nötige, wie Kinomechanismus. Bogenlampe. Widerstand, Motor und. so Kalklieht benutzt wird. Brenner und Sauerstoff, sowie Wickelmaschinen darin in solcher Art untergebracht sind, dass die Aufstellung un 1 Inbetrieb¬ setzung in wenigen Minuten erfolgen kann. Der Koffer ist mit Rollen ver¬ sehen. die ein leichtes Wechseln seines Standortes ermöglichen, ohne der Standfestigkeit de- Untergestelles Abbruch In tun. Der ..Via or“ ist eine nü zliche Krgänz n g. die nicht nur den ganzen Apparat -chout und ihm eine längere Lelensdauer verleiht, sondern auch eine Raumersparnis und Vereinfachung der Bedienung bedeutet. Verkaufspreise auf Anfrage Filmprogramme Lichtbilder-Serien! Speziallisten und Angebote bitte zu verlangen!