Der Kinematograph (October 1917)

Record Details:

Title:
Der Kinematograph
Date:
October 1917
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (October 1917)
Leaf #:
00063
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Ao. 5b4. Der Kinematograph — Düsseldorf. Aus der Praxis - • SS. Berlin. Das 1* len um des Beichst dem Beschluss des Hauptausschusses fui den Hei täglich Aufhebung der \ eror iai< über die Veranstaltung ingeschlossen. Der Reichstagsahgeorduc schäftssielle der „Deutschen Kolonial-Kriegers pende", Berlin W. 8, Mauerstrasse 4ö tö (Kommando der ächutztruppen) zu haben. Der Neher-Film „Weib gegen Weib", der erste Film, den die Firma A—Zet -F i Im ver tr ie b herausbringt, ist soeben von der Zensur genehmigt worden. Die Firma K. Schlesinger hat das Monopol für Rheinland und Bei der „1 m p e r a t o r - F i 1 nt C o." sind augenblicklich : neue, umfassende Filme in Vorbereitung, ein Detektiv- und • Spielfilm. In leiden wird Mogens Enger die Hauptrollen stellen, und beide Filme werden von Siegfried Dessauer inszen: Die Kowo-Gesellsckaft für FilmfabrikatD die bekanntlich ihre Hau me nach Friedriehstrasse 243 ver hat, lässt zwei neue Filme erscheinen, die beide von Carl H< Wolff inszeniert sind: ein Detektivfilm von Paul Rosenhayu .. Schlangenring" und das Lustspiel „Familie Halielmann". 1 fusser die.-es Filmes ist Richard Bass. Eine Wohltätigkeitsvorstellung zum Besten ..Deutschen Kolonial-Kriegerspende" findet am Sonntag, den Oktober im „Union-Palast, Kurfürstendamm" unter dem Protei rat Sr. Exzellenz, des Staatssekretärs des Reichs-Kolonial-An Dr. Solf statt. Zur Vorführung gelangt ein Lichtbildvortrag bekannten Afrikareisen den Hans Sckomburgk „Im deutschen dan“. Flintrittskarten zum Preise von 10 Mark sind bei der