Der Kinematograph (October 1918)

Page scan 000146 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
October 1918
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (October 1918)
Leaf #:
000146
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St. Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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Der Kinem»togr»ph — Düsseldorf No. «15 Veritas vinclt Der Leib zerfallt. Nichts wie ein Traum Des Körpers ist das Leben. Unsterblich nur wie Zeit und Ruum Kahn der Gedanke sich allein Zur Ewigkeit vom Erdensein, Von Welt zu Welt erheben Im alten R&m . . . in einer Höhle dort . . . ln banger Schau' nur naht man sich dem Ort. Da haust ein Weib, geh eime Zauber webend, Mit Kröt und Schlange als Gefährten lebend; Sie weiß, was sonst den Sterblicher verborgen, Was noch verhüllt im ungewissen Morgen. Und was es sei, ob Segen oder Fluch, Verkündet sie irr dunkler Schicksalsspruch Tochter des Flaviusi Römerin! Helena! Kennst du des Spruches Sinn? Keiner ist noch seinem Schicksal entronnen, Das Ihm die Fäden der Parzen gesponnen. Wenn du aus Liebe die Lüge gesprochen, Hast du dein eignes Glück dir zerbrochen . . Laß von der Lüge, cie dich betrügtI Veritas vinciJ <Die Wahrheit siegt! Zeiten vergehen Am deutschen Rhein Elünor, Goldschmieds Töchterietn. Willst durch die Lage den Freund du erretten, Wähnst du zu sprengen des Schicksals Ketten? Tot der Genosse der seligen Stunden — Tot der Geliebte, den kaum du gefunden, Zu deinen Füßen erschlagen liegt . . . Veritas vincit! D‘e Wahrheit siegt! Zeiten vergehen . . . Zum drittenmal Wechselt des Liebespiels Freud und Qual. Seelen, vom Schicksal einander erkoren! Dreimal gefunden und dreimal verloren! • Wird es der Dritten — Helenen — gelingen, Was sich erfüllen soll, sich zu erzwingen?!