Der Kinematograph (October 1918)

Record Details:

Title:
Der Kinematograph
Date:
October 1918
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (October 1918)
Leaf #:
000202
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St. Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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Dar Kinaruatograpb — Düsseldorf No. «10 «war raMnftigeu Ausfertigung aui Konten de» Beklagt«;! naoaaal im,.Kineinatograph“ su veröffentlichen und zwar an gleicher Stell« 1 und gleicher Art wie der beleidigende Artikel gez.: Rückert. Ausgefertig' (Name unleserlich.) Gerichteschreiber. BBHl aaad. München. Deutsches Museum. Der Bibliothek des Deutschen Museums in München fehlen von der Zeitschrift „Der Kinematograph“ die Nummern 1 bis 613. Die Herren Abonnenten unserer Zeitschrift, welche diese Nummern besitzen, würden des Deutsche Museum zu großem Danke verpflichten, wenn sie diese Kümmern stiften, bzw. zu angerne-senen Preisen überlassen würden. Diesbezügliche Mitteilungen waren an de- “wutsche Museum in München, Zweibrückenstraße 12 zu richten. M Totcnglocke Dr. Jakob Bentnton. der eine leitende Stellung in der „Saturn film-Aktien-Gesellschaft“ innehatte. Dt nach mehrtägigem Kranlo-n lager gestorben. Von Beruf Chemiker, wandte er sich dem Film zu, dem er eich mit »einer ganzen Intelligenz widmete. Ein klm feiner Kopf, verstand cs der im jugendlichen Alter von i. . 34 Jahren Verblichene, sich überall Freunde zu erwerben, und alle, di ihn kannten, werden seinen frühen Hein>gang aufrichtig badain -n. Dr. Benenson war der Gatte der bekannten Pianistin Vera S die während ihres Mannes Krankenlager i u jungen Km Chen in Rußland »eilte. J. I Rudolf Baron, dem die Filmindustrie manch erfolgrei « Filnmanuskript verdankt. starb ehenfalD plötzlich. Berline** Film -Zensur- Entscheidungen. •) A Genehmigt, B für Kinder verboten, C Verboten, D Berichtgit. E Füi die Dauer de» Kriege« verboten Iflr Rprlin* För *•" Teil: Julius Urrtt. Berlin-W. mersdorf, Rudolstädtsrstrasse Nr. t, Ftrnspr. Uhiand 657 II DCII1B. Fär d#n Rnzaigan -Tail: Ludwig Jagel, Bariin W. », Mohreiistrassa Nr. «, Famspr. Zantrun. I0C7«