Der Kinematograph (May 1919)

Page scan 0006 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
May 1919
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (May 1919)
Leaf #:
0006
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Global Cinema, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St. Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph — Dusseldorf. No. #44 Offener Brief an die Luna-Film-Gesellschait Seit November arbeite ioh mlt namhaften Sohriftstellern an einem Zyklus, der den in jedem Konversationslexikon befind- liohen Titel: _ fQhrt, im November, wo Sie noch hochstens um das Honorar fdr die Verfilmungsreohte verhandelt haben. Dieser Titel bat __ _ Der Name, „Die BQchse der Pandora", ist jedem Sextaner gelaufig. Ioh habe miob nie auf Wedekind bezogen. Im Gegenteil: ioh halte_ fQr einen _ Dae Wedekind-Drama trennt nur Wedekinds unsterblioher Deist von der Hintertreppe. Dieser Deist spiegelt sich nur im Dialog, in derDiobtung. Sie appellieren an mein_ Korrektheits- geftihl und verlangen, dasa ioh Ibnen freie Babn lasse, aur _des Renommees der ..BUohse der Fandors 1 '. A 1 s Scnriftsteller 'lcdi ch . e in se 1 nntandiges Work a zohsf fen • R _ unter einem Titel, den auoh ein grosser Dichter su seinem Werk aus der Mythologie gelieben bat. Als Unternehmer kenne ich keine Sentiments, wie Sie auch keine kennen. (Vide: Ibre Angriffe gegen miob.) Abgeseben von diesen Momenten. ware es teohnisob unmoglioh, meine Arbeiten einsustellen, da aie su wait vorgescbritten sind. Sie haben gesohaftlioh unriohtig gehandelt, wenn Sie „die Biichse der Pandora" niobt sofort in Angriff genommen haben.