Der Kinematograph (May 1919)

Page scan 0007 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
May 1919
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (May 1919)
Leaf #:
0007
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St. Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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N#. 644 Der Kinemstograph — Uiisseldorf So 11 ten die Oerilohte der Wahrheit entsprechen, dass Sie die Verfilmungsreohte von _ Werken Wedekinds _ _ erworben haben? Ioh gebe Ihnen den Vorsug, Ihre ..Bilchse der Pandora" vor meinem Zyklua herauabringen au konnen. lob unterbreobe die Aufnahmen urn 14 Tage. Ea soil daon die Heine kann niobt durob Ibr _ beengt warden, well Sie ein Drama angekauft haben, welohea denselben Titel hat, vie meine Filmdichtung, aumal ioh an dieaem Work aobon in einer Zeit arbeitete , wo ioh daa Wedekind’aobe Drama — mit Abaiobt — nooh niobt geaeben und nioht geleaen hatte. Ibren Vorwurf von Spekulation uaw. veiae ieb gam entschie- den lurQck. _ Bei mi r Oder bei Ihnen? Sie verlangen, vermutlich nur aua purem Idealismus — wie ioh aoeben hore — 260 000 Mark fOr die deutaobe Liaens . Wollen nioht - _ FQr Ihre Aeuaaerungen, die mioh verletien, wie unaittlleber Spekulationageiat, Tiuaobung dea Fublikums, unlauterer Wett- bewerb, werde ioh Sie vor das Qerioht aitieren. KONKORDI/i FILM get. von C SERIPY .