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Der Kinematograph (February 1921)

Page scan 0002 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
February 1921
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (February 1921)
Leaf #:
0002
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St. Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Erscheint jeden Sonntag Düsseldorf, 6 . Februar 1921. Begründet 1907 Vertag. Ed. Llnte, Düsseldorf. »Vehrhehn 28a Das Wichtigste der Woche. Abwehr kinofcindlirhcr Presseartikel. In letzter Zeit haben die kinofeindlicben Presse stimmen, besonders in den kleineren Orten des He zirkes Rheinland und Westfalen, sieh wieder iu vieler lei Schattierungen hören lassen. Audi hei anderen öffentlichen Gelegenheiten, in Reden und Versamm lungen, wird das beliebte Thema der Kinohetze weiter gesponnen. Es soll sogar vorgekonimen sein, diß ein Arzt, der einen Ufa-Lehrfilm über Gesehlechtskrank heiten mit erläuternden Worten begleitete, am Schlüsse spines Vortrags ausrief: „Und wem verdanken wir das alles der Straße und dem Kino“. Um diesen An griffen in der Presse und in der Oeffentlichkeit ge hührend entgegentreten zu können, hat der Faehaus schuß de- Kinematographie in Düsseldorf (Faki) im Einvernehmen mit dem Verein der Lichtbildtheater besitzet' Rheinlands und Westfalens und dem Verband der Filmverleiher Deutschlands die Organisation einer Zentrale zur Abwehr von öffentlichen Angriffen gegen das Kino begonnen Alle Interessenten, insbesondere die Herren Theaterbesitzer werden gebeten, iu Zukunft öffentliche Stimmen aller Art, die sich gegen das Kino wenden, insbesondere aber schädigende Presseartikel, dem Faki. Düsseldorf. Graf Adolf Str.37aL, zur weiteren Bearbeitung und Stellungnahme zusenden zu wollen. Nur auf diesem Wege der Zentralisierung wird es möglich sein, mit dem erforderlichen Nach druck die Rechte der Filmindustrie wahrzunehmen „KÄMPFENDE HERZEN E. V a n I (DIE VIEH UM DIE F R A U) Spielfilm mit CAROLA TOELLE Schmidt DEC LA -VERLEIH-PROGRAMM Regt*. FRITZ LANG LAUFT ZUR ZEIT IM MARMORHAUS BERLIN