Der Kinematograph (April 1922)

Page scan 000191 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1922
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1922)
Leaf #:
000191
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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No 793 Der Kinematograph Düsseldorf Die literarischen Filme: Das Wirtshaus im Spessart nach Wilhelm Hauff. Oie unerreicht packende Erzählung des unsterblichen Dichters wird in diesem groß angelegten Film in ihrer ganzen eigenartigen Schönheit erstehen. Der phantastische, spukhafte Stimmungsgehalt, die Romantik des Milieus wird auch im Film seinen bestrickenden Zauber enthalten. Der Frauenkönig nach Guy de Maupassant ’s weltberühmtem Roman „Bel Ami". Das Leben und die Abenteuer dieses Herzbezwingers, dem alle Frauen zufliegen, bis er an der wahren echten Liebe zugrunde geht, bildet einen Filmstoff, der einzig in der Weltliteratur dasteht. Liebe, Tor und Teufel von Erich Staude. Ein Spiel moderner Art, das in wirbelndem Reigen menschlicher Leiden¬ schaften von jauchzender Liebe und todesbangem Leid, von lachendem Frohsinn und bitterem Schmerz erzählt. Die Gesellschaits-Filme: Das Spielzeug der Dirne Rolf-Film-Fabrikation. Ferner nur im Vertrieb nur für Deutschland: Die sterbende Stadt von Holger Madien. Ein erschütterndes Kulturbild unserer heutigen Zeit. ^ □ NB. Zur Vorführung auch für Jugendliche zugelassen. \\) __ 'A <0 R Ct. ORBIS