Der Kinematograph (April 1922)

Page scan 000222 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1922
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1922)
Leaf #:
000222
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Der Kinematograph Düsseldorf No. 798 MF~ Einrichten von kompl. Vorführungsräumen u. Theatern unter jeder Garantie Veririeiisieiie : Carl SlßOlüaDD, DÜSSßldori, SlßlDSlr. 94 r'iE“ - — Lieferant größter und erster Theater ~ Die moderne Theater- Maschine auf Säule, eine wunderbar schnittige, völlig neu entworfene Maschine stellt das Vollendetste u. Allererstklassigste dar, was bisher die Kino -Technik hervorgebracht hat. Die Lebens dauer ist infolge der sehr großen Präzision u. hervorragenden Güte des Materials eine unbegrenzte und wird sich in Kürze die Gunst eines jeden Theaterbesitzers er¬ obern Vorzüge der Maschine: Spielend leichter Lauf. Gang voll¬ ständig geräuschlos. Bild steht bombenfest. Schnelle u. ständige Betriebsbereitschaft Hohe Licht¬ ausnutzung. Großer Filmschoner. Kreuz doppelt gelagert. Hand¬ radgesteuerter Säulenbock. Un¬ begrenzte Betriebsicherheit, auch bei sehn Ilster Gangart. Fordern Sie sofort von mir Prospekte u. Preisofferte. Liefe¬ rung sofort u. direkt an Theater besitzer ohne Zwischenhändler. ttlilprojelil t Höchste Präzision Lißißrung sämtlicher Zuüßhirlßilß ? KKXFLK ? ' spart 30 - 50% Strom, für Theaterbesitzer unentbehrlich «im« Vertretung und /Austerlager Rheinland ; Heinrich Fürst, Kinobedarfs* t. Coblenz. Friedlicher 26 Sachsen : Frz. Holzuausen Juu . Leipzig, Pia lendorfer Straße 20 Hessen. Hess. -Nasse j Kinograph Karl Kersten, Frankfurt a. «. /Aoseistraße 35. Schweiz E. Gutckunst, Gclterklnden Badische Kino Industrie, Ollo Kern, Karlsruhe i. Boden Fabrik klnematographlscher Apparate und Zubehör Telegi -Adr.: Südprojek!