Der Kinematograph (July 1923)

Page scan 00088 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
July 1923
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (July 1923)
Leaf #:
00088
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Oct Rincmntcgropfj Haben Sie schon bessere Kritiken über einen Film gelesen, als die folgenden über den ersten PALLADIUMFILM Er, Sie und Hamlet mit Pat und Paiachon Berliner Tageblatt vom S. Juli 1923 Er, Sie u. Hamlet 'U / ß ihr ein bißchen zu schämen braucht." — Dieser Schwank hat den ganz einfachen Stil der alten Possen, ist nicht ver¬ zwickt oder mit Pikan- terien gepfeffert. Er übernimmt die ameri¬ kanische Linie, die eine neue Bewegtheit in die Zufallstechnik des Lustspiels brachte, ändert aber das Groteske in die Form europäischer Möglichkeit um. Lichtbildbühne Er, Sic und Hamlet Salven c.as .. Mar- moriaus“ durch¬ tobte. Ja. c.as sind noch Lustspiele, dieser köst¬ liche ,vca der Südfilm A.-G. verschriebene Dänenfilm. Schon die Handlung, bei aller hin¬ reißenden Komik eingestehen, daß wir an deutscher Pro¬ duktion vorläufig nichts auch nur entfernt Ebenbür¬ tiges, an die Seite zu steiler haben! Den Dänen wollen wir dank- Mut aufgebracht haben, ein Lustspiel als großen Fünfakter aufzuziehen. Ihre Dar¬ steller sind lebende Menschen von einer Echtheit, die den .Schauspieler“ völlig vergessen lassen. Dem Re¬ gisseur dieses Kunstwerkes. Lau Lauritzen, wollen wir gratulieren. Man hat sich in dieser traurigen Zeit mal wieder für Wochen gesund gelacht. Und dafür kann'man*nicht genug dankbar sein! Wcltverlrieb: ARTHUR G. GREGORY, KOPENHAGEN, Köbmagergade 67 Verkauf durch LOTHAR STÄRK G. M. B. H. Telegr-Adr. Filmstark BERLIN SW48, FRIEDRICHSTR. 12 Te^ Dönbott «*32