Der Kinematograph (May 1924)

Page scan 0008 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
May 1924
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (May 1924)
Leaf #:
0008
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Z>et JUnttnatogcapfi S«ite Vi»n Architekt Kurt Richter. Wundcrdinjjc sich bcwäf Tatsache V ierteljahr als nun¬ endlich ge){lückt kanische Krfindung der Glasmali skeptisch betrachten müssen. rdentlich gestiei;i le Rentabilität d* Kindertagen de' Kinematographie ver- die Raukosten durch .Modellbauten zu noch war nicht die nötige Hinheit zwi- •^chen .Modell und natürlicher Szene zi lechnik der photographischen Aufnahmt sicher Aufnahme und kombrniertem Modell zu erzielen so würde diese in der Tat ja luBerordentlich \erbilligendt lechnik in bedeutend gröUerem .MaBe angewendet werden bchen Dekorationen und stellt die Ic'tzten nur so w-e't her, als es sich darum handelt. die Schauspieler in ihnen Sichtbarwerden zu lassen. Eine Straße würde als«! nur bis etwa zwei Meter hoch gebaut wer¬ den. während alles, was darüber ist. als Malerei auf die Glasfläche gelegt wird. Es scheint sich hier um eine neue \rt des Kombi-Verfah- r rens zu h.-indeln. | man tber einen Optimis¬ mus. der sich durch dii gröBt.n .Mißerfolge nich abschrecken läßt. Ehe also amerikanischi Filme mit Dekorationei in Glasmalerei nich europäischer Pi üfuni Vorgelegen haben laßt sich ein a Ige- me.nes Urteil nicht dar b.T ab.ie''cn Und so ist es möglich — die Vtiege der Kinemato¬ graphie sind oft wunderbar —. daß wir nach jenein Verfahren herge¬ stellte Filme erst