Der Kinematograph (September 1925)

Record Details:

Title:
Der Kinematograph
Date:
September 1925
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (September 1925)
Leaf #:
000247
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Hollywood Studio System, Early Cinema, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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DIE LÖSUNG DES REISEFILMS? ... Da mu§ man di« offenen Augen des Scheuenden ml! dem Wissen des Könners und der Romantik des Dichters vereinen. Der Besucher des Films muh von dem Gezeigten eben gefangen werden. Das sind die groben Schwierigkeiten des Reisefllms. - Dreyer hei sie gelöst. So schrieb der »Film - Kurier" vom 2. Oktober 1924 ta unserem großen Vortragsfilm . Argentinien' 4 . Heute bringen wir unsere Spitzenleistung Glufen am Nordpol Regie: Oberingenieur Dreyer, Kunstmaler Karl Pindl Photographie: Hugo Urban Der Film ist nicht nur eine dramatische Aneinanderreihung polarer Romantik, er gipfelt in seinen klaren Trickfilmen geologischer und astronomischer Natur Ns 3.ttktober: Taciifl 5 und 1 Diu Filanortrai! Obertne Dreier, Berlin. Taabeosir. 48 Abschluß durch: Vortragsorganisation Dreyer der Döring -Film -Werke, Hannover Telegramm'Adresse: Döringfilm Telephon: Nord 9404, 9567