Der Kinematograph (November 1926)

Page scan 0004 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
November 1926
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (November 1926)
Leaf #:
0004
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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ftincmntograpfr Seile 3 Architekten: Andrejew, Professor Lhotka / Original-Komposition: Edmund Heisei In ;en Hauptrollen Werner Krauss, Eugen Klopfer, Albert Steinrück, Heinrich George, Elz Temary, Cam. v. Hollay, Hedwig Wangel, Wera Pawlowa, Bruno Arno, Hans Br isewetter, Wilhelm Diegelmann, Jaro Fürth, Fritz Kampers, Emil Lind, Fritz Rasp Erste Preneslimmen melden isnahmslos Bor aeneriolg * Itof rbesifzer! Hier ist dös Sie brauchen. Im Spiegel der Presse: L. B. 3. •- November* Berliner Tageblatt (Feuilleton-Kritik!) . , . Wenn diese Mu*iknnt«*n aufapieler. ?* • gibt d Bilder von rührender Komik un I i in von Kdniund llei«i’l wirksam genetzte*. Konzert von menschlichen Fronden und lliirio«ULeu. Werner Kraull iribf praeht voll die IJeMen eine* Ort*pnlizi*ten. und di~ " «•.blichen Itoll.n s,nd ... x <*n Flr.i Temary und Camilla von llolfay verkörpert. Berliner Morgenpost (4. November) . . . T> e ganze Kleinstadt loht, diireli glan¬ zend .*h;.rakteri*ierte Figuren dnrgentellt. 12 Uhr Zeitung ( *. November Braune* etter. Wilhelm Diegelmann. Kmil Lind. Fritz Knmper*. Fritz Ra*n und Dr. Maiining mit einer *0 fühlbaren Hingabe an Aufgaben zu neben. Elza Temary zeigt . . . ein Talent, da* *ie hoffentlich bald in grü- Nar.htau*gabe '». November). Klopfer. Bteinriick und KrnuU waehnen zu einer Monumentalität. die man in deutschen Filmen bl* jetzt wenig bemerkt hat. * Tennioiureo Sie sofort! Läuft zurzeit in Ur £k VI t t Ü r U n Q Capitol vor täglich ausverkauften Häusern ***11(11011 und verleih: Promolheus Film-Verleih- und Verirtcbs-G m b.H., Berlin sw«8 Zlmmerslrafce IS-18 / Telephon: Zentrum 4268-67 / Telegramm-Adresse: Promfilm. Berlin