Der Kinematograph (April 1927)

Page scan 00057 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1927
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1927)
Leaf #:
00057
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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Seite 2 ftinemotograpl} 1051 Der neue Engelfilm der Bayerischen Die Familie ohne Moral das Geschäft! .... Die Wiiner Produktion hat diesmal einen guten Film in die Welt geschickt, der Niveau hat und der dabei dem Erfordernis, ein Geschäftsfilm tu sein, durchaus gerecht wird . . . . Kinematograph. . . . Max Neuields Regie ist amüsant beweglich und einfalls¬ reich . . . Unter den Darstellern sieht man die sehr niedliche Colette Brctti, die sehr begabte und sehr gut ausschende Carmen Cartellieri, die prachtvolle Mizzi Griebl, ferner Paul fiartmann. den herrlichen Hermann Thimig und den jungen, sympathischen Louis I.erch. 8 Uhr Abendblatt. ... Lin Film, wie man ihn sich wünscht, wie das Publi¬ kum ihnhaben will, wie er auf gleichem Niveau wirklich von allen Produzenten gebracht werden könnte .... Neue Berliner 12 Uhr Mittags Zeitung. .... Er hat (Max Neufelcl köstliche Szen. n volle Milicustudien geschaffen . Coletl, Hauptrolle Anmut und Lebendigkeit .... N ■ Man kann Hugo Engel nach Wien ein Glück... senden- der Film gefiel uns sehr .... Die Dar sich bei ihrem Regisseur bedanken: sie haben <i. auszuspielen. — .... Es gab einen P u b 1 i k u m s e r f o I g . . . Man amüsierte -■> .... Das ist von dem Regisseur Max Neufeld 1' erzählt. Das Lottermilieu bei der Mutter ist ■ Ein quikletendiger Schauspieler ist Hermann I Rolle mit Heiterkeit und Humor spielte . Sichern Sie sich dieses beste Sittenbild des Jahres durch umgehende Terminierung BAYERISCHE# FILM G.M.B.H. IM EMELKA-KONZERN ^