Der Kinematograph (June 1927)

Page scan 00019 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
June 1927
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (June 1927)
Leaf #:
00019
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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m PRESSESTIMMEN über den neuen Ufa-Film FRÄULEIN BLAUBART Neue Berliner 12 Uhr Mittagszeitung . . . Bezaubernde Szenen voll echtester, übermütigster Lustspieltollheit, die ihm den ehrlichen Erfolg sichern. Lichtbildbühnc Der Mel belachte und lebhaß beklatschte Film wird als erfolgreiches Lustspiel bestimmt seinen Weg machen. Neue Preußische Kreuz-Zeitung Man lacht Tränen über die groteske Rolle Griffiths und das interessante Zusammenspiel der übrigen Darsteller machen den Film zu einem gewissen Ereignis. Vossiscbe Zeitung Ein Abend so recht nach dem Herzen, auch eines ver¬ wöhnten Kinobesuchers. . Welt am Abend Ein nettes und recht unterhaltendes Lustspiel. Es wird viel gelacht. Berliner Lokal-Anzeiger ... so übermütig lustig, die Situation so schlagend komisch, daß der Ht iterkeitserfolg groß ist. Der Montag . . so sichern ihm doch viele echte lustspiolhafto Situa¬ tionen den Erfolg. Neue Zeit Raymond Griffiths ist ein kultivierter Komiker Seine Späße sind geschmackvoll. Man lacht über ihn, herz¬ lich und w'ohlwollend. Der Deutsche Die Regie Frank Luitles hatte es verstanden, die Drastik der einzelnen Szenen brillant herauszuarbeiten. UNIVERSUM-FILM VERLEIH G-M-B-H* VERLE1HBOTUEB OCR UNIVERSUM-FILM AKTIENGESELLSCHAFT BERLIN SW 68 WOCHSTRASSE 6-7 ■ AKTIE NGESELLSQ