Der Kinematograph (November 1927)

Page scan 00077 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
November 1927
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (November 1927)
Leaf #:
00077
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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Seite 30 Rincmatograph Nummer 108» Drei Uraufführungen! Drei Erfolge! „Auferstehung“ mit Rod La Rocque und Dolore» Del Ri« • B. Z. AM MITTAG: . was für ein schöner Film! ! BERLINER TAGEBLATT: ein sehr sehr schöner Film . VOLKSZEITUNG: . man muh dieses Kunstwerk sehen . DER MONTAG: Das Marmorhaus hat für die nächst i Wochen einen Geschaftsfilm. FILM JOURN \L: ein glänzender Kassenschlager. NEUE ZEIT: ... der Film ist ein grober Erfolg. „Busfer Keufon der Student' 12 UHR MITTAGSZEITUNG: Ein Film herrlichen Humors und üb r- wältigrnder Komik. B. Z. AM MITTAG: . . der vollkommenste aller bisher gez* fi¬ ten Buster Keaton-Filme. BERLINER VOLKSZEITUNG: mehrmals brüllt das ganze Capitol or Lachen. ROTE FAHNE: . den Film soll man sich ansehen BÖRSENZEITUNG: . ein verdienter Erfolg . . . BÖRSENKURIER: ein reizender Film . . LICHTBILDBÜHNE: eine köstliche Stunde . . . Ronald Colman und Vilma Banky in „KöniH Harlekin“ 12 UHR MITTAGSZEITUNG: Lebhafter Betfall ein Film der überall sein Publikum finden wird. BERLINER MONTAGSPOST: es ist eine ganz hervorragende Leistung DER FILM: Ronald Colmans und Vilma Backys Namen verbürgen dem Theaterbr>itzer volle Kassen. FILM-JOURNAL: Ein Film, der eine grobe Zugkraft auf ein grobes Publikum ausüben wird. UNITED ARTIST* FIL1*I-VERLEIH £ * BERLIN SW 48, Friedrichslraße 19 Filialen: Berlin / Düsseldorf / Frankfurta.M. , Hamburg / Leip^W