Der Kinematograph (September 1928)

Page scan 00081 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
September 1928
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (September 1928)
Leaf #:
00081
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Seite 4 Rincmotograpf) Nummer 1156 ihr beglückenden Ellern und ihr Kinderschären . . . wie übertrumpft der Film alle „ernsthaften“ Filme, weil er in der Natur steht . . . eine Fundgrube für den Psychologen, den Völkerkundler, . . . ein Denkmal für den dunklen Erdteil . . . der Song einer so fernen Welt, die doch ihre Seele hat, daß man erschauert. So schreibt der „Ulm-Kurier“ über den neuesten Colin Roß-Film Auch die anderen schon vorliegenden Pressestimmen loben den Film Berliner Morgenpost: . . . dieser Film ist wunderschön, er ist einzigartig . . . reizend . . Der Film schafft einen seltenen Genuß. B. Z. am Mittag: Jeder, der Kinder hat. sollte sich Ralph ansehen . . . in diesem Urwaldlilm steht eine Urfröhlichkeit, die nicht besiegbar ist . . . viele interessante Aufnahmen . . . Berliner Lokal-Anzeiger: . . . Dieser Film wird die Jugend begeistern. Tempo: Ein Film ohne Schminke und gerade deshalb auf besondere Art entzückend . . . hervorragend . . . unvergeßliche Szenen . . . Neue Berliner Zeitung: Man kann Kindern nichts Besseres wünschen, als daß ihre Eltern sie in diesen Film führen — und von Erwachsenen braucht es auch niemand zu bereuen. Vossische Zeitung: Wer ein wenig Abenteuererlust ins nüchterne Leben gerettet oder den Sinn für die großartigen Schauspiele und Wunder der unberührten Natur nicht verloren hat. wird an diesem Film seine Freude haben . . . ein großer Erfolg . . . UNIVERSUM-FILM VERLEIH 6-M B H- VERLEIHBETRIEB DER UNIVERSUM-FILM AKTIENGESELLSCHAFT BERLIN $W68 KOCHSTRASSE 6-?