Der Kinematograph (April 1929)

Page scan 00029 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1929
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1929)
Leaf #:
00029
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Pas Geschäft für Frühling und Sommer ist DOUGLAS FAIRBANKS DIE EISERNE MASKE So urteilt die Presse über den Fiim: Film-Kurier: Dem deutschen Theaterbesitzer wirkt ein Bombengeschift. LIchtbildbOhne: Im Ufa-Palast wurde dem Film, dessen SchluBbilder geradezu hinreiBerd sind, stark applaudiert, und fOr das deutsche Kinorepertoire ist dieser Fairbanks eine will¬ kommene Bereicherung Der Film: Das ist ein groBer Geschiftsfilm, und ieder Theaterbesitzer tut gut daran, ihn recht¬ zeitig zu terminieren. Film-Journal: Mit einem Wort gesagt: ein prachtvoller Film. Herrlich ist dieser Fairbanks-Film, der schönste seit dem Zorro. Man ist traurig, wenn der Film aus ist am liebsten bitte man noch stundenlang zugesehen. B. Z. am Mittag : Herrlich ist es, in einen Fairbanksfilm zu gehen. Kann schöneres über einen Film gesagt werden, als daB man etwas chevalaresker, etwas muFger, etwas glOcklicher gestimmt nach Hause ging. Nachtausgabe: Das Publikum applaudierte bereits bei offener Leinwand. UNITED ARTISTS FILM VERLEIH G. M. B. H. BERLIN SW 4a, FRIEDRICHSTRASSE IS / TELEGRAMM-ADRESSE: UNITEDFILM FERNSPRECHNUMMERN: DÖNHOFF 5026-5027. 82g0-82gi FILIALEN BERLIN .r DÜSSELDORF / FRANKFURT AM MAIN ^ HAMBURG ^ LEIPZIG