Der Kinematograph (April 1929)

Page scan 000205 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1929
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1929)
Leaf #:
000205
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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die Toiletten der Heldin zu wäh¬ len und zu tragen versteht, auf. tn diesem französischen Film war die deutsche Darstellerin die glaubhafteste Repräsentan¬ tin pariserischer Eleganz. Bri¬ gitte Helm wäre auf Jeder fran¬ zösischen Bühne, dank ihrer ausgesprochen mondänen Er¬ scheinung. die berufene Dar¬ stellerin der Eleganz. Alte und neue Liedtke-Filme. Im Hinblick auf die von ande- ^ rer Seite erfolgten Ankündi¬ gungen sehen sich die Firmen Aafa-Film A.-G. und Deutsches Lichtspiel-Syndikat veranlaßt, darauf aufmerksam zu machen. daU Harry Liedlke in der Pro¬ duktionssaison 1929 30 aus¬ schließlich bei ihnen filmtätig -Filme Na:h dem Roman von A. Tolstoi ..Der lahme Herr" mit VERA MALINOWSKAJA K. EGGERT Oie Tragödie unersättlicher Lebensgier, die sich selbst verzehrt. Die Geschichte eines Mannes, den hemmungslose Sinnenlust von Weib zu Weib peitscht — den selbst re.ne, opferwillige Liebe nicht fesseln — nicht halten kann. Geld und Gut zerrinnt unter seinen Händen. — In die Tiefen dos Lebens sinkt er hinab. — Und als noch eir Produktion, allerdings in An nung an ausländische Ge; schafter (mtn nennt hier sonder« die Emelka) aufgen men. Ihr Kapital beträgt i Millionen Peseten. Die Gesamtzahl der K theater in Spanien beläuft derzeit auf lund 3500, von nen etwa zwei Drittel all lieh geöffnet sind. Neue KultnriilBc. f'kie Döring-Film-Werke, l nover, bringen neben e Reihe industrieller Kultur! demnächst mehrere Länder! heraus, welche die Kultur! Programme der kommen Saison erfreulich beleben r den. „Von der Weser bis Lido" rnd „Vom Lido zum ■ Titel V